To the Average Joe, the Britpop movement is likely best remembered by two major incidents: the Blur vs. Oasis rivalry which reached its peak in a race for the #1 spot in August 1995 and Jarvis Cocker’s stage invasion during Michael Jackson’s appearance at the Brit Awards in 1996. Neither had anything to do with the music itself, but were both big enough to over-excite the tabloid press. Those with more of a musical interest might also associate the period with great music from The Bluetones and Cast; hit-makers that managed regular chart appearances, but due to neither band having a tabloid friendly loudmouth a la Noel or Liam, weren’t always so sharp in making themselves known outside of the music papers. Both deserved much bigger success than Oasis.

For regular readers of NME and Melody Maker, Britpop covered a wider range of things and among the many indie bands that both helped shape that movement and subsequently rode on the coat-tails of the scene’s big sellers, there were a whole host of other guitar-driven heroes. For every two that made the charts, there were a dozen that were often left chasing that big breakthrough, despite regular press. In many ways, ‘Super Sonics’ is their story.

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