The first two albums by Yawning Balch – the side project featuring members of Yawning Man with Fu Manchu guitarist Bob Balch – yielded some fabulous music. The lengthy, improvised jams filled a pair of records with brilliant, almost ambient desert rock sounds; a whole world of sonic textures that really capture a moment, but really allow listener to be really drawn in by the band’s almost cinematic qualities.
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SLOWER – Rage And Ruin
Formed as a vehicle for playing Slayer classics at a doom metal tempo, Slower had the potential to be the greatest “novelty” band ever. They were smart, though: once you’d got past the amusement of hearing some of your favourite speed-oriented metal bangers played as funereal dirges, their debut album held up on its own merits. Fu Manchu man Bob Balch and members of Kylesa, Monolord and Year of The Cobra each bought their own unique talents to the project, and each of the tracks played out like the ultimate in classic doom and sludge fare. The result certainly wasn’t what Tom Araya had envisaged, but it was fantastic to hear a new twist on the classics.
SLOWER – Slower
Slower. As the name implies, this band is all about the doom. However, this is doom with a twist. Bringing together members of Kyuss, Fu Manchu, Kylesa, Year of The Cobra and others, the performers are famous in their own right, but nowhere near as famous as Slower’s choice of material. This debut album features five Slayer classics, each one drastically reimagined as a timeless doom/sludge piece; five numbers that end up invariably sounding like more like Acid King than Kerry King. It seems inconceivable that speed driven bangers that sound tracked a generation’s metallic apocalypse could take on the stance of Electric Wizard and Witch Mountain, but behind their comical name, Slower have made such things a striking reality.
YAWNING BALCH – Volume Two
Yawning Balch – the collaborative project shared between the members of desert rock band Yawning Man and Fu Manchu’s Bob Balch – unleashed a sprawling giant with their debut release. ‘Volume One’ shared three lengthy instrumentals where the musicians absorbed themselves in a stoner friendly, wavering landscape; it’s improvised riffs going deeper into the desert rock world than many had gone in a long time. It was the perfect record for late night listening, and suggested that, if and when a second volume should arrive, Yawning Balch had the potential to be one of the greatest deep psych/stoner bands ever.
VOLUME – Requesting Permission To Land
Their chosen band name mightn’t stick out – and certainly isn’t search engine friendly – but if you should chance upon Volume, it’ll take all of four chords to get the measure of this stoner/retro metal band. Originally released in 2002, ‘Requesting Permission To Land’ didn’t get as much press attention as ‘…And The Circus Leaves Town’ by Kyuss a few years earlier, or the works of Orange Goblin and Fu Manchu, but its five tracks take as much of a classic approach. What’s more, Volume were also adept at revisiting the proto metal sounds of the late 60s and early 70s and injecting them with an even greater vigour, making their sole album as much about force as doom-laden weightiness. In short, for retro thrills, it’s great – the kind of thing that should have been picked up by Man’s Ruin Records (RIP), or championed by Josh Homme and been massive.