On their self titled album from 2020, London’s Cult Burial served up an interesting mix of extreme metal sounds. Tracks like ‘Abyss’ and ‘Chaos’ assaulted the audience with a take on doom metal that injected the slowness with elements of blackened death and thrash, whilst the (relatively speaking) more melodic ‘Forever’ presented an ambitious hybrid of post-hardcore, thrash and black metal which pretty much sounded like no-one else. It seemed to be the kind of album where – assuming you could brace yourself for its onslaught and manage to absorb more than two songs at a time – it was possible to actually pick out different musical flourishes with each listen. Impressive, considering that on first hearing the whole thing seemed like a relentless outpouring of anger. One thing was for certain: their arrival had challenged Allfather and Kurokuma for the crown of “Britain’s Heaviest Band”.
Barely nine months on, the band began to hint at a follow up. It was to be a timely return; the UK had started to make their way out of a pandemic hell and the live music scene had started to gain some tentative traction. Massive riffs were certainly needed, and although their new EP would arrive too late to soundtrack the summer for a Bloodstock Festival crowd, Cult Burial were in time to hammer a new season into the advertised ‘Oblivion’.