Towards the end of 2025, metalcore band Ocean Planet shared a brilliantly heavy track ‘Devastate’.By coupling a lot of pneumatic rhythms with a few guitar sounds that leaned further into an old school vibe, the recording took as many cues from the prog metal of bands like Symphony X as the tougher edges of the likes of Killswitch Engage. Whatever label you’d care to pin on their work, however, the recording made it very clear that Ocean Planet meant business, and would be an act to watch out for in 2026.
Tag Archives: extreme metal
WEFT – The Splintered Oar
The brainchild of multi-instrumentalist Charlie Anderson, Weft’s album ‘The Splintered Oar’ isn’t a record that’s easily categorised. Across five fairly lengthy, mostly instrumental numbers, the Panopticon violinist takes in elements of folk metal, melodic black metal, dark folk, prog metal and even an element of alternative country to create a musical journey that’s full of twists. It is a record that won’t be loved by a mass audience, but it’s ultimately one that feels very rewarding in terms of depth and variety.
ROT FESTER – Death Row EP
Rot Fester’s debut EP – 2024’s ‘Condone Or Condemn’ presented eighteen minutes’ worth of old school death metal fury. With the bulk of the material adopting a bass heavy approach coupled with a guttural roar, the Swedish duo were certainly heavy, but the sludgy tone of the recording ensured they didn’t just sound like they were casually retreading a traditonal death metal path.
FALSE GODS – Lost In Darkness And Distance
In a pre-pandemic age, False Gods released a two track EP ‘The Serpent and The Ladder’, a twelve minute musical assault that blended industrial and hardcore influences with a pinch of sludge and black metal, improving upon their earlier work. Via a couple more digital singles and their eagerly awaited full length ‘No Symmetry…Only Disillusion’ (released between 2020 and 2023), the band cemented the feeling that their often uncompromising sound had enough power to take on many of the scene’s most intense bands.
Check out ‘Sentinel Hill’, the new video by In Dakhma
When a band is pitched as “death metal”, there are certain tropes that the listener will expect. There are the pnrumatic drums – an integral part of the death metal sound, from the genre’s formative years, due to the brutal assault of bands like Suffocation – and the guttural vocals, often associated with the genre’s bigger names like Death and Entombed. You’d probably also expect to hear speed driven, huge sounding bass grinds, often providing a pivotal aspect to the aural assault.
Croatian band In Dakhma’s debut album ‘He Who Sows The Ground’ features all of that…and more. Check out ‘Sacrum’ and you’ll find a classic death metal sound delivered with a genuine enthusiasm; listen to ‘In Dogma’ and you’ll discover a hardcore infused bass part colliding with thrash riffs that are direct descendants from Sepultura’s massively influential ‘Arise’. Elsewhere, ‘Lies Beyond The Golden Ruins’ colours the band’s riffs with a hard nod towards groove metal, and the epic closer ‘Tower of Silence’ introduces sludgy riffs to bring something even heavier to the fore.