THE REAL GONE SINGLES BAR #56

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. For lovers of great indie rock, there’s a real treat; for those who like the folkier end of the indie scale, there’s something almost as strong. We’ve got electronica, we’ve got something a little gothy, and even something with a death metal core. Stylistically speaking, this week, the gloves are well and truly off…

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DISORIENTATION – Survival Mode EP

In some ways, this second EP from Disorientation sounds like nothing you’ve ever heard before. Scratch the surface, of course, and you’ll find bits and pieces of familiar noise, but nothing presented by this avant-garde metal duo ever takes a predictable route. This is doom and black metal, but never as you’ve experienced it before. It’s almost industrial, but never entirely so. There are also elements of avant-garde jazz prog and chamber vocals appearing, somewhat unexpectedly, alongside the heavier moments.

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THE REAL GONE SINGLES BAR #31: FESTIVE EDITION

Welcome back to the Real Gone Singles Bar, the place where we explore the various individual tracks and mp3s that have landed in our inbox over the previous few weeks. This time around, we offer a festive selection – a collection of tunes with a Christmas theme, ranging from the traditional to the bespoke. Some of the material is brand new; some re-works the familiar in a new way, but when heard together, we hope these tunes entertain, and will prop up any great alternative playlist!

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NECROVESCENT RUINER – Untouchable Faith Decay

Occupying a space somewhere between an extended single release, an EP and an album, black metal outfit Necrovescent Ruiner absolutely goes for broke on their 2023 recording ‘Untouchable Faith Decay’. A concept piece, it features just one singular twenty seven minute number. In some ways, and on its surface, this presents the ultimate extreme metal assault; in others, it’s a very progressive way of tying together various musical moods – and for those able to tune in and spend time deconstructing the arrangement, it actually plays like four or five separate pieces, despite not including separate tracks.

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