Polish doom blues trio Weird Tales laid down some pretty heavy vibes on their 2019 long player ‘Hell Services Cost a Lot’. Bookended by two lengthy workouts absolutely laden with distortion, it cared not for giving first time listeners anything easily digestible. Lurching through various slow and heavy moods, and with each track seemingly as oppressive as the last, it eventually blurred into a near hour’s worth of sludge. While those riffs were impressive – at least to begin with – a disregard for actual songs meant it was an album for the most committed doom fiends only.
What would happen if you took passages from The Bible and applied them to some of the slowest and heaviest sludge metal riffs ever? Chances are, you’d end up with something so sacriligious, it’d stir up entire American States, amuse teenagers supposedly “going through a phase” and confound a lot of other people…
Since their arrival on the metal scene, zhOra have worked hard in forging a sound that takes sludge metal into more adventurous places than most. Armed with a relentless sound that mixes a hardcore crunch with the pure technicalities of progressive metal, the smatterings of death metal and a crushing doom element, their work isn’t for those who seek instant gratification. Their fourth album, ‘Mortals’ really reinforces any ideas that the band often values weight and heaviness over any genuine accessibility, yet at the same time, it is a truly impressive release.
Byzanthian Neckbeard broke a five year hiatus at the beginning of summer 2019 when they re-emerged with ‘Extinxtion’, a heavy as hell three tracker that raised the bar for uncompromising sludge metal sounds. Expecting the band to go back into hibernation after wearing everyone down with a set of absolutely crushing riffs, it came as a surprise when the Guernsey based trio released a full length album just a couple of months later.
‘Minaton’ is everything ‘Extinction’ promised…and more. The band’s trademark heavy, sludgebeast of a sound is firmly in place throughout. This is an album that starts somewhere around 8/11 on the heaviness scale, but somehow manages to increase its sledgehammer-like presence as it goes. Some of the material seems a little more intensive on the death metal inflected vocals than before, but for lovers of a sludgy riff or six, it’s the kind of album that’ll tick so many of the right boxes.
It took Byzanthian Neckbeard five years to follow up their 2014 ‘From The Clutches of Oblivion’ long player, but for fans of that record, the three tracks that make up their 2019 EP ‘Extinction’ will certainly impress. In just fifteen minutes, Guernsey’s loudest band churn, grind and chug their way through a trio of incredibly heavy numbers, drawing influence from greats like Conan and Crowbar to help them in their quest for the ultimate riff.