Before exploring any of the music on this release, let’s get one of the only negatives out of the way first: Plastic is not a very good band name. It’s a nightmare for search engine effectiveness and not especially memorable. Thankfully, Plastic are a great band and their 2019 EP ‘Drink Sensibly’ is an aural tour-de-force that fuses grungy elements with a punky sharpness, resulting in three tracks that sometimes sound like the work of a band fit to burst.
Scandinavian indie band Spielbergs released one of the best albums of 2018 with their full length debut ‘This Is Not The End’. An album drenched in 90s influences, its retro charm is deserving of a wider audience. [Read a full review here].
In September, they return to UK shores for their own headline tour. All of the confirmed dates – along with other details – can be found in the press release below.
Falling Stacks’ 2015 EP ‘No Wives’ has been referred to as “critically lauded, but non-selling”, an approach that very much shows a humour when trying to promote music that definitely isn’t going to appeal to anyone within the mainstream. Their 2019 EP ‘Sarcastic Clap’ is by turns angular and oddly funky; noisy yet arty…but always disarming.
When Banshee released their ‘Say My Name’ EP in 2016, the online press were incredibly enthusiastic. The then still-young band even found a champion in the legendary Joe Elliott, despite their music being half a world away from his own or that of his own Def Leppard or beloved Mott The Hoople. That EP set out the Scottish quartet’s musical interests very clearly – and its combination of alt-rock guitars, poppy hooks and enthusiastic vocals very much carried the spirit of bands like Tonight Alive and ‘Riot!’ era Paramore. Three years on, their ‘Bubble’ EP offers much more of the same, but if anything the guitars are slightly more subdued in places. To make up for that, though, its four songs have choruses that could really stick.
On their second EP ‘Six Pack’, self-confessed “slacker rock” Parisians Normcore are here to remind you of the Reading Festival mud-bath of 1992 and the long, hot summer of 1995. On a spirited homage to various distorted indie rock heroes from decades past, its six songs recycle the best bits of early Weezer, Dinosaur Jr., Superchunk and Pavement with a loving charm, but a heavy French accent throughout gives this distortion-loving quartet a slightly different slant on an overly familiar sound.