ACROSS THE BURNING SKY – The End Is Near

The members of Across The Burning Sky had been individually active on the death metal scene for some two decades at the time of this album’s release, but have only been a working unit for a very short time. It took just two years from forming to have settled upon a semi-accessible brand of death metal with which they figured would best represent them on their debut LP, ‘The End Is Near’. Although billed as “melodic death metal”, to be honest, this isn’t much more melodic than a lot of twenty first century death metal. The genre has come along leaps and bounds since 1988, so dropping clean lead guitars in between the huge growls and a barrage of pneumatics doesn’t make too much difference, especially if you’re not of an extreme listening persuasion. However, there are times when the appeal of the band’s angry and brutal stylings come across very well – especially when slowing down – so maybe, just maybe, this album will appeal to a certain listening demographic…“melodic” or otherwise.

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Cherry Red Black Friday Sale: various classic rock & prog titles now with huge discount

The UK’s most celebrated reissue label Cherry Red are running a fairly decent Black Friday promotion.  It’s easy to sneer about the UK hijacking what was essentially only a US calendar event, but it means that music fans can grab some very cool savings.

For lovers of classic rock and prog – which covers a good proportion of Real Gone’s readership – the sale is decent, with deluxe titles and box sets by Anthony Phillips, Tony Banks and Graham Bonnet available with a hefty discount.

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VARIOUS ARTISTS – Come Join My Orchestra: The British Baroque Pop Sound 1967-73

Between 2016-2018, Grapefruit Records released three excellent box sets exploring the nooks and crannies of the British psychedelia movement. The three anthologies featured in excess of over two hundred tracks and even included items which even the more devoted psych obsessive hadn’t heard before. Having almost exhausted that particular avenue, the same label’s ‘Come Join My Orchestra: The British Baroque Pop Sound 1967-73′ from November 2018 provides an interesting side-step. In the wake of numbers like The Beatles’ ‘Eleanor Rigby’ and ‘For No One’ and the Stones’ ‘Lady Jane’, baroque pop became in vogue and all manner of artists – obscure or otherwise – turned to applying strings and flutes a-plenty. Not quite straight pop, but never as ostentatious as prog rock would make the orchestra, the seven year stretch bridging the two decades turned up all kinds of treats. While often favouring the singer songwriter over the pop bands, ‘Come Join My Orchestra’ is a great celebration of these sometimes forgotten musical experiments – and with seventy eight tracks ranging from the cult classic to genuinely obscure, there’s a lot here to take in.

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VARIOUS ARTISTS – Yesterday And Today: A 50th Anniversary Tribute To Yes

Fifty years is a long time for anything. It seems an especially long time for a band to exist…and particularly one that always set out to push boundaries and create music that wouldn’t necessarily appeal to the pop music buying masses. …And yet, here we are: prog rock legends Yes celebrated their half century in 2018. Granted, they’ve had an ever evolving, less than stable line up – no fewer than nineteen members have passed through the official ranks of Yes since their inception in 1968, and at the end of 2018, none of the band members are the true founders – but there is still a Yes. Detractors be damned.

Masterminded by Dave Kerzner, ‘Yesterday And Today’ is an all-star tribute that celebrates all line-ups and all eras of a great band, featuring a few very familiar faces, some of whom have been brave enough to tackle a couple of deeper cuts from the Yes catalogue.

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