All star prog tributes are hardly a new phenomenon. Robert Berry and Yes man Billy Sherwood have been contributing to such releases since the 90s and it’s often resulted in records made with love. Occasionally, they’ve included a few tracks that’ve become essential collection fillers. There’s a Pink Floyd tribute from the 90s called ‘The Moon Revisited’ that brings together a host of famous faces recreating the monolithic ‘Dark Side of The Moon’ from start to finish. Naturally, the record isn’t as good as the original – nobody ever claimed it would be – but a run of tracks during the second half make it a keeper. World Trade’s take on the instrumental ‘Any Colour You Like’ and Robert Berry’s ‘Brain Damage’, especially, showcase veteran talents able to turn their hands to almost anything with ease.
‘Heaven & Earth’, the twenty first studio album from Yes, seemed to spend most of its natural life lurking under a cloud of negativity. The last recording to feature founding member Chris Squire and the first to feature vocalist Jon Davison, it was criticised for “not being proggy enough”, “sounding like a lightweight Yes tribute band” and worse. None of the criticism was especially warranted. ‘Heaven & Earth’ featured some lovely sounds; tunes that featured lots of Yes hallmarks blending with a few poppy flourishes to create an almost spiritual and reflective piece.
Billy Sherwood is no stranger to an all star compilation. Over the years, he’s helped mastermind tributes to all manner of artists, often with mixed results. His 2019 project ‘A Prog Rock Christmas’ can seem as scattershot as many of those previous all star affairs, but by bringing together various prog legends to put their own stamp on a few familiar yuletide ditties, there are a several things to enjoy along the way, ranging from the traditional to the bespoke.
Fifty years is a long time for anything. It seems an especially long time for a band to exist…and particularly one that always set out to push boundaries and create music that wouldn’t necessarily appeal to the pop music buying masses. …And yet, here we are: prog rock legends Yes celebrated their half century in 2018. Granted, they’ve had an ever evolving, less than stable line up – no fewer than nineteen members have passed through the official ranks of Yes since their inception in 1968, and at the end of 2018, none of the band members are the true founders – but there is still a Yes. Detractors be damned.
Masterminded by Dave Kerzner, ‘Yesterday And Today’ is an all-star tribute that celebrates all line-ups and all eras of a great band, featuring a few very familiar faces, some of whom have been brave enough to tackle a couple of deeper cuts from the Yes catalogue.
Taking an early influence from Paul McCartney, bassist Chris Squire truly pushed boundaries in the late sixties and early 70s and took the four stringed instrument into new territory. Using the rhythmic instrument as a lead, Squire gave the bass a distinctive voice and with progressive rock band Yes, he subsequently became a huge influence upon bassists around the world.
Prior to his death in 2015, Squire gave his blessing for Yes to continue without him. In many ways, any form of Yes without Squire seemed like an odd proposition since his writing and arranging skills were always pivotal to everything, but the official Yes (featuring long-time members Stece Howe and Alan White, alongside vocalist Jon Davison) have toured harder and more extensively than ever, keen to keep Squire’s memory and legacy alive. With Yes releasing their own tribute in October 2018 via Cherry Red Records (including new recordings by Yes men Jon Davison and Billy Sherwood), it’s only right that the band’s founding father should have his own tribute too, and while on the surface, this US release ‘A Life In Yes’ (issued via Cleopatra/Purple Pyramid) doesn’t appear quite as glossy as its UK counterpart, it is every bit as interesting. A few recordings even make it an essential listen.