From Cleopatra Records, the label that gave you ‘Punk Floyd’, a punk tribute to Pink Floyd, comes ‘Punk Me Up: A Punk Tribute To The Rolling Stones’, a release that brings together many of the same bands, and applies a similar no-frills approach to the material in hand. The presence of the same names here strongly suggests that the material was likely recorded at the same sessions for the Floyd tribute and for the fans of some of those acts – Jah Wobble, Fear, Angry Samoans, Skids, et al – their return here will be welcome, since this is another release that potentially offers a couple of interesting collection fillers.
Tag Archives: tribute album
Video: Billie Joe Armstrong shares ‘Black Haired Girl’ from upcoming Jesse Malin tribute disc
Billy Joe Aemstrong needs no introduction. He’s also no stranger to a great cover tune.
His newest recording ‘Black Haired Girl’ takes an old Jesse Malin track and gives it a kick via a very recognisable vocal. With a top notch production bringing out the track’s solid bass groove and Armstrong’s trademark style lending more of a power pop slant, it actually improves upon the original cut where Malin’s own huge drawling tones drove the number with a little more of a retro rock feel.
VARIOUS ARTISTS – Kimono My House: 50 Years Later
From the label that brought you 50th Anniversary tribute albums covering Alice Cooper’s classic ‘Killer’, Bowie’s absolutely legendary ‘Ziggy Stardust’, and Budgie’s oft-overlooked ‘Never Turn Your Back On A Friend’, comes something way more…outlandish. Bringing together various acts from the rock and metal underground, ‘Kimono My House: 50 Years Later’ re-imagines the 1974 Sparks album. As you might expect, the results are mixed. As you’ve probably already guessed, very few of the bands have been brave (or should that be foolhardy?) enough to imitate Russ Mael’s legendary falsetto. It remains unclear whether any of the musicians have taken the method route and grown toothbrush moustaches to enhance their involvement. What we have here – somewhat against the odds – is a very interesting record.
VARIOUS ARTISTS – Burn On The Bayou: A Heavy Underground Tribute To Creedence Clearwater Revival
Unless you happen to be Robert Pollard/Guided By Voices or Buckethead and have a blatant disregard for quality control, recording and releasing eight studio albums over a five year period is probably really difficult, if not impossible. Creedence Clearwater Revival not only managed that task between 1968-1972, but in ‘Green River’, ‘Willy & The Poorboys’, and ‘Cosmo’s Factory’, they managed to deliver a trio of cast iron classics. The latter is an album still beloved by millions; a soundtrack to a generation.
VARIOUS ARTISTS – Meddle Reimagined
Pink Floyd’s sixth album, ‘Meddle’, is regarded as a prog rock masterpiece. The band had released enjoyable works prior to its release in 1971, but ‘Meddle’ is arguably the first album where all of the “classic Floyd” ingredients came together to create something coherent. David Gilmour has referred to it as the first album since his appointment as guitarist that really made sense, and – as enjoyable as bits of its predecessors are in their own weird and wonderful ways – it’s hard not to argue with that logic. The thunderous bass groove driving ‘One of These Days’ very much looks forward to parts of ‘Animals’; in Gilmour’s ‘Fearless’, there’s a melodic prog songcraft that he would take forward and make the heart of ‘Dark Side of The Moon’ and even the post-Roger Waters ‘Division Bell’, and via the mighty ‘Echoes’ – a side long epic – bits of the Floyd’s soundtrack recording past collide with huge solos, and there’s even a melodic phrase that would be reworked a few years later to become one of ‘Dark Side’s timeless musical touchstones. Unfortunately, there’s the lazy blues of ‘Seamus’, too – something that undoubtedly grew from their Pompeii animal cruelty jam ‘Madamoiselle Nobs’ – but very few albums are perfect.