VARIOUS ARTISTS – Burn On The Bayou: A Heavy Underground Tribute To Creedence Clearwater Revival

Unless you happen to be Robert Pollard/Guided By Voices or Buckethead and have a blatant disregard for quality control, recording and releasing eight studio albums over a five year period is probably really difficult, if not impossible. Creedence Clearwater Revival not only managed that task between 1968-1972, but in ‘Green River’, ‘Willy & The Poorboys’, and ‘Cosmo’s Factory’, they managed to deliver a trio of cast iron classics. The latter is an album still beloved by millions; a soundtrack to a generation.

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VARIOUS ARTISTS – Meddle Reimagined

Pink Floyd’s sixth album, ‘Meddle’, is regarded as a prog rock masterpiece. The band had released enjoyable works prior to its release in 1971, but ‘Meddle’ is arguably the first album where all of the “classic Floyd” ingredients came together to create something coherent. David Gilmour has referred to it as the first album since his appointment as guitarist that really made sense, and – as enjoyable as bits of its predecessors are in their own weird and wonderful ways – it’s hard not to argue with that logic. The thunderous bass groove driving ‘One of These Days’ very much looks forward to parts of ‘Animals’; in Gilmour’s ‘Fearless’, there’s a melodic prog songcraft that he would take forward and make the heart of ‘Dark Side of The Moon’ and even the post-Roger Waters ‘Division Bell’, and via the mighty ‘Echoes’ – a side long epic – bits of the Floyd’s soundtrack recording past collide with huge solos, and there’s even a melodic phrase that would be reworked a few years later to become one of ‘Dark Side’s timeless musical touchstones. Unfortunately, there’s the lazy blues of ‘Seamus’, too – something that undoubtedly grew from their Pompeii animal cruelty jam ‘Madamoiselle Nobs’ – but very few albums are perfect.

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VARIOUS ARTISTS – Steel Bars: A Rock Tribute To Michael Bolton

In the minds of a lot of people, Michael Bolton is a man charged with filling his career with easy listening pop, or crooning standards. He achieved massive success in the late 80s with his sixth album, ‘Soul Provider’, a record that showcased a man with a strong voice, but beyond the Desmond Child penned ‘How Can We Be Lovers’ had very little substance.

That track was actually a welcome throwback of sorts to Bolton’s musical past. Before he became chief executive of making a generation of housewives over excited, old Mickey Two-Haircuts had already had a full career by most people’s standards. His first two albums mixed west coast pop with AM radio friendly rock tunes and material that occasionally hinted at his future success as a best-selling crooner, but a run of work released between 1979-85 cast Michael in the role of a full blooded rocker. With his band Blackjack (featuring future Kiss axeman Bruce Kulick) and as a solo performer, ‘Blackjack’ (1979), ‘Worlds Apart’ (1980), ‘Michael Bolton’ (1983) and ‘Everybody’s Crazy’ (1985) captured a run of work that could easily stand up with the best of Foreigner, Survivor and their ilk. Given the ubiquitous presence of Michael’s later, softer works, these brilliant records have all but been forgotten – or more likely ignored – by the more casual record buyer.

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VARIOUS ARTISTS – A Future Of Bad Men: A Melvins Tribute

Few bands have been more influential to the alternative scene than (the) Melvins. Since their arrival in the early eighties, the noisemakers from Washington have forged an uncompromising musical path which has inspired punk and doom metal bands alike. They’ve encouraged many to twist the elements of rock music into unfathomable shapes. Their early work laid the formations for what many consider “grunge”. Somehow, in the mid 90s, they even managed to score a recording deal with a major label, which inspired them to become even more obtuse, first releasing a single that had a lyric in a made up language (‘Hooch’) and promote a slightly later release with a track that included a drawling vocal, a sludge metal riff and an atonal jazz solo played on the trombone. Even more bizarrely, that single (‘Bar-X The Rocking M’) even had its video shown on MTV. The Melvins’ career has taken many forms, and it’s rarely been pretty, but it has never, ever been dull.

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VARIOUS ARTISTS – Animals Reimagined: A Tribute To Pink Floyd

All star prog tributes are hardly a new phenomenon. Robert Berry and Yes man Billy Sherwood have been contributing to such releases since the 90s and it’s often resulted in records made with love. Occasionally, they’ve included a few tracks that’ve become essential collection fillers. There’s a Pink Floyd tribute from the 90s called ‘The Moon Revisited’ that brings together a host of famous faces recreating the monolithic ‘Dark Side of The Moon’ from start to finish. Naturally, the record isn’t as good as the original – nobody ever claimed it would be – but a run of tracks during the second half make it a keeper. World Trade’s take on the instrumental ‘Any Colour You Like’ and Robert Berry’s ‘Brain Damage’, especially, showcase veteran talents able to turn their hands to almost anything with ease.

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