SNAKECHARMER – Anthology

In terms of “supergroups”, Snakecharmer’s first line up was hard to beat. Centring around ex-Whitesnake members Micky Moody (guitar) and Neil Murray (bass), the band immediately came with a solid, classic rock sound that would be partially indebted to their formative years with David Coverdale, but – as was proven by their debut album – they relied far less on nostalgia than their earlier vehicle The Company of Snakes. Much of Snakecharmer’s superior sound not only came from stronger songwriting, but also the presence of vocalist Chris Ousey (ex-Virginia Wolf/Heartland), a man blessed with the kind of range capable of tackling almost everything with ease.

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RUBY THE HATCHET – Fear Is A Cruel Master

Ruby The Hatchet made their first inroads into a recording career with the self-released ‘Ouroboros’ in 2012. Aside from the occasional one line hook, the DIY recording captured the raw talents of a brilliant stoner rock/deep psych band. With riffs heavily indebted to Kyuss’ majorly influential bottom end noise and Black Sabbath’s doomy origins, the band immediately had a strong musical root, but in vocalist Jillian Taylor it was clear they had something very special. Taylor’s clear and strong delivery always gave the music a melodic edge that other doomy bands didn’t always have. Even at such an early stage, her clean, crying style often lent the material a brilliantly haunting feel that would be hard to beat.

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PERFECT PLAN – Brace For Impact

In the year or so leading up to this third release from Perfect Plan, vocalist Kent Hilli kept himself more than busy. Considered by some to be the great white hope of melodic rock in the twenty first century, between 2021 and 2022, he not only issued two solo releases – an album of original material and an EP of covers – but also became the new frontman for AOR legends Giant, appearing on their very enjoyable ‘Shifting Time’ album, and even found time to contribute vocals to the second Restless Spirits album.

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ORIANTHI – Rock Candy

Orianthi’s 2020 album ‘O’ marked an overdue return for the Australian guitarist. Her first album in seven years and her first for the Frontiers Records label, it appeared during the pandemic lockdown, adding to an ever growing pile of welcome distractions for rock fans the world over. You’d be hard pressed to call it forward looking in any way – the bulk of the music ploughed a furrow where classic 80s melodic rock was very much at the forefront of her semi-bluesy sound, and the video for its second single ‘Impusive’ seemed to want to set the feminist movement back by decades – but, as melodic rock long players go, it was enjoyable enough.

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Watch the new video from Davey Lane’s band, The Pictures

At the end of September ’22, Davey Lane’s band The Pictures made a long overdue return. The release of the ‘I Can’t Hold Back’ single marked the end of a fifteen year silence for the band, but in many ways, the track played as if it’d been a mere heartbeat since their previous release.

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