From Cleopatra Records, the label that gave you ‘Punk Floyd’, a punk tribute to Pink Floyd, comes ‘Punk Me Up: A Punk Tribute To The Rolling Stones’, a release that brings together many of the same bands, and applies a similar no-frills approach to the material in hand. The presence of the same names here strongly suggests that the material was likely recorded at the same sessions for the Floyd tribute and for the fans of some of those acts – Jah Wobble, Fear, Angry Samoans, Skids, et al – their return here will be welcome, since this is another release that potentially offers a couple of interesting collection fillers.
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HAWKESTREL – Chaos Rocks
Another branch of the complex and ever evolving Hawkwind family tree, Hawkestrel is a space rock project masterminded by ex-Hawks man Alan Davey. His vision to create an ever shifting line up to bring his music to life has previously involved other Hawkwind alum Nik Turner, Bridget Wishart, Simon House, Huw Lloyd-Langton, Ginger Baker and the mighty Lemmy. The fact that the ex-Hawkwind and Motorhead bassist managed to appear on the debut album three years after his passing flags up the potential problem with the band’s recordings, in that – much like Cleopatra Records’ other “all star projects” – they’re very much cut ‘n’ paste affairs, and don’t always hang together as well as you might hope. However, when they’re good, they’re very good.
GEORGE LYNCH & JEFF PILSON – Heavy Hitters II
At the end of 2020, George Lynch and Jeff Pilson released ‘Heavy Hitters’, a well meaning but not especially good covers album, on which the 80s legends took all manner of material and made it heavier. Not everything will withstand being made into a massive rock tune, and hearing the two ex-Dokken men cranking their way through Martha & The Vandellas’ ‘Nowhere To Run’ with distorted vocals was especially grim. Likewise, the world didn’t need Duran Duran’s perfect pop tune ‘Ordinary World’ reworked in a sub grunge mould, or the Joan Osborne hit ‘One of Us’ presented as an unimaginative hard rock trudge. However, the musicians clearly had fun mauling other peoples’ material, and three years later, decided to foist a second volume of covers upon everyone. Thankfully, ‘Heavy Hitters II’ is a massive improvement on its predecessor.
KING KOBRA – We Are Warriors
When it comes to consistency and quality, a new record from King Kobra doesn’t come with any guarantees. Their 1984 debut is a fun melodic metal affair, and its timely delivered follow up ‘Thrill of A Lifetime’ is a decent melodic rock LP, but beyond that, their catalogue is largely pretty bad. 1988’s ‘King Kobra III’ is loaded with tuneless metal fare that’s blighted further by terrible vocals from Johnny Edwards (a poor substitute for the absent Mark Free), and the band’s first two reunion albums (2011’s ‘King Kobra’ and 2013’s ‘King Kobra II’) are heavily weighted towards party metal workouts full of really embarrassing and clichéd lyrics.
PHIL LYNOTT’S GRAND SLAM – Slam Anthems
Thin Lizzy were an exceptional rock band. The classic mid 70s line up managed to capture lightning in a bottle with Phil Lynott’s charisma and the trademark twin guitar sounds of Scott Gorham and Brian Robertson. Even when the band shifted line-ups to include Snowy White and, latterly, John Sykes for a heavier sound, they were still a top tier rock band. True legends.