THE REAL GONE SINGLES BAR #40

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the previous few weeks. Our popular feature continues to gain attention and we’ve had a flood of submissions this week. Picking a few of the best, as always, we’ve attempted to bring you a variety of sounds, from punky power pop to a soul/rap crossover, from indie rock to an unexpected Japanese arty piece. Hopefully, these choices capture the quirkiness we always aim to bring…and we hope you find something to enjoy!

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PAT!i – Sahara شع ةينامثو ةئام

The multi-faceted PAT!i is a mystery. The faceless musician, said to have worked within various genres ranging from hardcore to hip hop, brings a variety of sounds to ‘Sahara شع ةينامثو ةئام’. Although not a true smorgasbord of his talents, the music he presents on the album is never dull. It takes in various different influences, always suggesting the work of a man who isn’t short of ideas.

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HONEYMOON SUITE – Alive

The first three Honeymoon Suite albums are an essential part of any decent melodic rock/AOR album collection. Songs like ‘New Girl Now’, ‘Feel It Again’, ‘Bad Attitude’ and ‘Lookin’ Out For Number One’ should have made them as big as Journey and Survivor, but outside of the US and Canada, the band never achieved any more than cult status. Any relative lack of success elsewhere wasn’t for the want of trying, however. Millions of people have actually heard Honeymoon Suite without realising it, since their ‘Lethal Weapon’ graced the end credits of the film of the same name in 1987. Unfortunately, the end credits failed to mention this…robbing the band of some very easy publicity.

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THE MAGIC BUS – Σε Ά​γ​ν​ω​σ​τ​α Ν​ε​ρ​ά EP

This EP from The Magic Bus provides a brief but varied showcase for a talented band who aim to break down musical barriers. Blending traditional Greek melodies with elements of folk rock, stoner rock and trad metal, this EP’s four songs explore a vast musical landscape, but never feels in anyway disjointed. This is due, in no small way, to each of the melodies being linked by a strong vocal. Frontman Valentis Dafkos is in possession of one of those voices which is so big, it doesn’t matter where his music takes him; he’s there, with a very natural boom, sharing a volume that has as much confidence as the band’s biggest riffs.

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THE REAL GONE SINGLES BAR #38

Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual mp3s that have landed in our inbox over the past few weeks. We’ve got a great selection for you as we move further into 2024: there’s a glam infused pop-rocker, some solid sounding country rock, melancholy folk, some absolutely huge indie rock, and more besides. As always, if you discover anything new you’ve enjoyed, stop by and tell us! We’d love to hear from you…and if you’ve got something you think might suit a future feature, please get in touch.

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