THE REAL GONE SINGLES BAR #148

With new tracks from a couple of the indie scene’s UK/Irish leading lights and a Bristol based guitar driven band who’ve already attained cult status, this visit to the Singles Bar feels rather weighted towards jangly material and swirly shoegaze sounds, but with a very retro sounding track that fuses blues rock with prog flourishes and a dreamy number from a French singer-songwriter, there’s a sharp contrast too, helping to keep the usual love of shining a light upon the most cult of artists. Bolstered by an unexpected reissue from the 80s and a lo-fi workout that could split opinion, it’s certainly an interesting selection this time around. As always, of course, we hope you find something new to enjoy!

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THE REAL GONE SINGLES BAR #147

Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This selection takes in a genuine curveball from a cult musician, shares a perfect slice of soul, a great single from an up and coming singer songwriter, a brilliant melodic rock banger, and more… As always, we hope you find something new to enjoy!

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WITCHCRAFT – A Sinner’s Child

Almost a decade after the release of their previous full length album, Swedish band Witchcraft released ‘IDAG’, a heavily atmospheric collection of songs that demonstrated their blend of doom and occult folk music very effectively. Clearly keen to make up for lost time, this follow up comes just ten months later – a rush-release by Witchcraft standards – but the five tracks that make up ‘A Sinner’s Child’ are clearly not left-overs or also-rans of any kind.

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Watch: Absinthe Green present ‘Death By A Thousand Cuts’ [Trigger Warning: Graphic Imagery]

If you’re only vaguely aware of Absinthe Green, chances are you discovered them via their love of cover tunes. In 2025, they gained some online traction with a fun (but rather wobbly) cover of the Spice Girls hit ‘Viva Forever’, transforming the popular ballad into a guitar driven, gothic workout that allowed the song to be heard in a whole new way. Every Xmas, they also reshare their cover of ‘Santa Baby’, reworked with a heavy doom riff as ‘Satan Baby’.

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TOMBSTONES IN THEIR EYES – You Don’t Have To Love Me / Everybody’s Dead

With just a few weeks left of 2025, US deep psych/shoegaze band Tombstones In Their Eyes released not only one of the best albums of the year, but one of the best of their career. Some of the material felt a little bit samey if heard in one sitting, but the band’s command of a riff and ability to weave a great atmosphere allowed the material on ‘Under Dark Skies’ to work brilliantly when approached in the right mood.

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