Tag Archives: prog

AFFINITY – Affinity

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Back in those pre-internet years, it was often difficult to hear really rare albums. There were a whole world of psych, jazz rock and proto-hard rock LPs that were regularly mentioned in Record Collector magazine that seemed shrouded in mystery. Often issued on the Philips, Deram, Major Minor and Vertigo labels, discs by Head Machine, Elias Hulk, The Open Mind and Second Hand – all now available on CD – were almost the vinyl collector’s equivalent of the Holy Grail.

Another such disc, the one and only album by Affinity, was another highly praised gem from the dawn of the 70s that, at one time, seemed destined to languish in the hazy, distant past. In the mid 90s, a decent vinyl pressing could fetch £40-£50; hardly an impulse purchase, should you stumble across one. A CD repressing from Repertoire Records in 1993 finally meant the album became accessible to an audience who missed the band during their brief lifetime, but a lack of UK release meant this disc was almost as elusive. It wasn’t until 2002 that the Affinity LP was given a long overdue CD release on home turf, but that eagerly awaited edition on Angel Air Records was sourced from under par materials.

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VINCENT CARR’S SUMIC – Strolling Early Morning

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One of the UK prog scene’s true underground talents, Vincent Carr’s complex acoustic work and love for pastoral soundscapes has helped create some interesting recordings over the years. On 2016’s ‘Rekindled’ he injected a very strong British folk rock vibe into some largely instrumental pieces, and on the follow up, ‘New Paeans’, he truly unleashed his inner Mike Oldfield on lengthy arrangements that blended prog, new age sounds and a hefty dose of acoustic complexity. Obviously he was working on a thousandth of Oldfield’s basic 70s budget, but the outcome certainly wasn’t in any way inferior. After that, Vince released a couple of ambient, improvised works that showed off yet another side to his talent. Those were approached with interest by a few of his biggest online champions, but were never designed for mass acceptance.

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VARIOUS ARTISTS – Think I’m Going Weird: Original Artifacts From The British Psychedelic Scene 1966-1968

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Since the label’s launch in the late noughties, Grapefruit Records has worked tirelessly to bring top quality reissues to fans of cult 60s and 70s sounds. Thanks to their archive digging skills, previously unaffordable vinyl albums by Skip Bifferty and Picadilly Line were no longer an extortionately priced mystery; Jeff Lynne’s early years with The Idle Race were reappraised, and dark psych combo Zior reached the ears of many people for the first time.

For all of their well loved archive releases, it’s a trilogy of psych themed box sets featuring hits, misses and rarities from 1967 (‘Lets Go Down And Blow Our Minds’), 1968 (‘Looking At The Pictures In The Sky’) and 1969 (‘Try A Little Sunshine’) that best advertises the label’s eye and ear for great reissues. With that in mind, it seems only natural that the label would raid the archives of psychedelia’s peak years for their hundredth release, and ‘Think I’m Going Weird’ is Grapefruit’s biggest and most adventurous release to date. With over 120 tracks spread across five discs, a larger format book sharing a wealth of important historical detail and rare photographs (with no obvious overlap from the previous 60s psych sets) this British take on ‘Nuggets’ is something of a jewel in the label’s crown.

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VARIOUS ARTISTS – Breakthrough: The Underground Sounds Of 1971

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According to music historian and author David Hepworth, 1971 is “rock’s most exciting year”. There are a lot of music fans of a certain age who would agree with that: those keen record buyers who still treasure well worn copies of Uriah Heep’s ‘Salisbury’, Caravan’s ‘In The Land of Grey & Pink’, Hawkwind’s ‘In Search of Space’ and Rory Gallagher’s ‘Deuce’; people who’d hit their early twenties in time to hear Pink Floyd’s ‘Meddle’ and Emerson, Lake & Palmer’s ‘Tarkus’ with fresh ears when the sounds of those hugely indulgent arrangements sounded like the future; and certainly not forgetting those for whom the first three Black Sabbath albums heralded the arrival of a whole new genre, but arguably hit perfection in ’71. There’s a lot of further weight to be added to the argument that 1971 is musically significant, with lesser known albums by Samurai and Jade Warrior propping up the art-rock scene, The Zombies’ Colin Blunstone delivering an absolutely killer solo debut with ‘One Year’ and Phil Collins making his first major appearance with Genesis. All of that barely scratches the surface, of course, but it’s fair to say there was always far more to 1971 than Led Zeppelin’s monolithic fourth platter and ‘Who’s Next’.

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THE SYN – Flowerman: Rare Blooms From The Syn 1967-69

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For many years, psych/prog band The Syn’s recorded output totalled a couple of rare 7” singles. Although much loved by collectors, these recordings remained elusive throughout the 80s and 90s, all too rarely spotted at record fairs or in second hand record shops. As an early vehicle for Yes men Chris Squire, the historical value of the discs was perhaps greater than their monetary value, but they often seemed shrouded in mystery to those who discovered Yes much later. Thankfully, Umbrello Records came to the rescue in the mid noughties when they reissued The Syn’s four original 7” sides along with other period rarities and other recordings, and even though their ‘Original Syn’ compilation was terribly titled and looked cheaply packaged, it would be an invaluable collection filler for those lucky enough to grab the limited edition release.

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