Mysterious Pink Floyd bootlegs appear on streaming services

In a bit of unexpected good fortune for the discerning prog fan, a selection of Pink Floyd bootlegs dating from 1971 have appeared on streaming services.

Spotify and Amazon Music began hosting a range of live recordings from the ‘Meddle’ era, in varying quality a few days ago. Some of the recordings have long been well known to bootleg collectors – such as the ‘Screaming Abdabs’ recording from Quebec, featuring the classic Gilmour/Wright/Waters/Mason line up showcasing a couple of new ‘Meddle’ tunes as well as providing the often overlooked ‘Embryo’ with a live outing, and the full set from Montreux ’71 – but the opportunity for the more casual listener to stumble upon these archive treasures will surely be welcomed.

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HAWKWIND – Dust Of Time: An Anthology

Over the years, the market has been flooded with Hawkwind compilations, reissues and retrospectives. From the comprehensive and brilliant (‘This Is Your Captain’, a huge set pulling together the United Artists albums), to the interesting (box sets of Flicknife and Emergency Broadcast era albums aimed more at the completist), to the perfunctory (various cheap “best of” type sets, thrown together by budget labels with no thought), it seems as if no stone has been left unturned in terms of anthologies celebrating the legendary space lords.

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Big Big Train introduce a ‘Proper Jack Froster’ on new winter single

Despite a global pandemic derailing gigs, it’s been a very productive couple of years for British prog band Big Big Train. They released a critically acclaimed album, ‘Common Ground’ during the first half of 2021, and another new album is expected in the early part of 2022.

In the meantime, they’re set to warm the cockles of prog fans with a surprise new single, ‘Proper Jack Froster’.

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Listen: Marillion – Buffalo, July 1983

For years, the ‘Recital of The Script’ VHS was only available document of Marillion’s earliest live shows. Recorded at Hammersmith Odeon in 1983, the gig was drummer Mick Pointer’s last public appearance with the band. Although visually brilliant, the performance is rather slow in retrospect, not always doing full justice to some great material.

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