Unlike a lot of “legacy acts”, Night Ranger are one of those bands that can normally be relied upon for a decent album. Granted, they’ve rarely hit the heights of ‘Dawn Patrol’ and ‘Midnight Madness’ – the one-two punch that kick started their career back in the 80s – but the majority of the band’s best records are driven by great playing and strong song writing. Even the supposedly “non canon” ‘Feeding Off The Mojo’ (lacking founder Jack Blades and featuring a hastily put together band featuring Gary Moon) was home to a few classic tunes, and ‘Somewhere In California’ (their Frontiers Records release from 2011) showcased a band with lots more to give. In fact, it’s only really 1998’s ‘Seven’ – a heavier, Blades dominated work – that missed the mark. As albums go, it was fine enough on it’s own merits, but the slightly more aggressive tones just didn’t always feel like Night Ranger.
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REAL GONE GOES OUT: Night Ranger – Shepherd’s Bush Empire, London 11/3/2018
This evening at Shepherds Bush Empire has been billed as a double headline show between Night Ranger and Skid Row. However, it isn’t long after Night Ranger take the stage, it becomes clear that the event is nothing of the sort. Night Ranger’s set design is limited to a few extra Marshall amplifiers which are placed in the middle of the stage, rather than at the back. Kelly Keagy’s drumkit looks awkward, placed on stage left (audience right) and facing towards the middle rather than facing the audience. The band, in turn, are only given about three quarters of the stage to work with. Somewhere behind the amps, Skid Row’s drum kit sits in wait. So much for “double headliner”: Night Ranger have been given a support band’s set up – and that’s before we get to the massive issues with their performance.