In some people’s minds, Samson are often considered either a second division act of the New Wave of British Heavy Metal, or simply “that band that Bruce Dickinson used to be in”. While neither is technically incorrect – historically, most NWOBHM bands are now second division compared to scene titans Iron Maiden and Saxon, and Bruce was in the band – such basic thinking does Samson a massive disservice. By the time they’d recorded their debut album in 1979, the band were actually at the forefront of the emerging scene. They were one of the first to release a full length album and despite some fluctuation in early line-ups, at their best, they could more than hold their own when it came to hard rock entertainment.
In some ways, the idea of grunge as a musical umbrella was a myth; a media invention borne from a lazy journalistic need to pigeonhole everything. Most of the bands that broke through in the early 90s actually had little in common aside from a geographic locale: Nirvana’s Pixies and Wipers obsessions bore little resemblance to Soundgarden’s updating of Black Sabbath’s monolithic riffery, just as that had absolutely nothing in common with Mudhoney’s desire to be Iggy & The Stooges. Yet, they were often lumped together. Also primarily thought of as a “grunge band”, from their inception in the mid-80s right through to their quiet demise approximately fifteen years later, Screaming Trees honed retro sounds of yet a different kind. Here was a band that drew influence from heavy psychedelia. Like the other more popular Washington State bands, their only obvious link came from a love of khaki kecks and heavy plaid shirts.
As is their tradition, Cherry Red Records and their many associated subsidiaries have dozens of fantastic box sets and reissues lined up for the year’s second and third quarters. As we move firmly into Spring, Real Gone picks a few essentials lurking just over the horizon.
On May 24th 2019, Cherry Red Records / HNE Recordings will release a double disc deluxe edition of ‘Sweet Oblivion’, the sixth album by Seattle legends Screaming Trees.
Their second major label album (and sixth overall) is arguably their first true masterpiece including the should-have-been hits ‘Dollar Bill’ and ‘Nearly Lost You’.
In 2017, Hear No Evil Recordings released an excellent REO Speedwagon box set entitled ‘The Early Years’. The mid-priced release rounded up the band’s fist seven studio albums and 1977’s double live set ‘Live: You Get What You Play For’ in one handy package, making some of the albums available on CD in the UK for the first time in a long while…and in the case of the unedited version of the live disc, for the first time ever. Given the love that went into that set, it seemed inevitable a similar set covering the band’s next decade – the period that brought them the most commercial success and some massive hits – should follow. Such a box would be an essential release, especially since a few of the albums from that period have become equally hard to find despite selling in huge numbers.