J. EASTMAN AND THE DRUNK UNCLES – No Capo Required

This Minneapolis based garage rock band is entirely unpretentious. At no point do these musicians stretch too far beyond their garage-ish musical limits – limits that are occasionally just a little too obvious – nor do they display any kind of ego. By their own admission, J. Eastman & The Drunk Uncles are rather shambolic. Still, a fairly loose and carefree attitude has got them so far and this third release works very much on a maxim of “if it ain’t broke, don’t fix it”. Or in the case of the Uncles, it might even be “if it sounds a bit broke, let’s swill some booze and knock things about until they sound better.

True to their word, bits of ‘No Capo Required’ do indeed sound sloppy. That said, you’ll have heard sloppier…and sometimes from bands who actually genuinely believe they’re the very acme of musical perfection.

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A Beginner’s Guide To The Fall: The Essential Albums

John Peel – The Fall’s biggest and outspoken fan – famously claimed they were “always different, always the same”. In many ways, Peel was right. With each new Fall album, you could never guarantee you’d like all of the material; you couldn’t even guarantee you’d remember any of the material after the album finished, but through it all, there would be Mark E. Smith, founder and only constant member, gleefully bamboozling the listener with rambling, obtuse lyrics. A lyricist and performer like no other, Smith’s work balanced precariously between the utterly mundane and bizarre, humorous and spiteful. Such a one-off proposition that even imitators could never quite match his unique style.

Smith steered his artistic vision through forty years and over sixty members. Sometimes the addition of a new band member or even Smith’s current mood could change the sound and fortunes of a new Fall record. The Fall back catalogue is one of the most daunting of any band’s, comprising of thirty two studio albums, as many live albums and over forty compilations to date. Given that Smith himself cared nothing for quality control and released material at a frighteningly prolific rate and then expected fans to work at reaping their own musical reward, finding the genuinely brilliant material within The Fall’s oeuvre can be like panning for gold, especially for newer listeners.

Here is Real Gone’s guide to The Fall essentials!

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TANGO WITH LIONS – The Light

After a five year recording break, ‘The Light’ marks the return of one of Greece’s most popular English speaking bands, Tango With Lions. With core sounds rooted within the early mid 90s, Tango With Lions are keeping the flame of European dreampop alive…or so it would seem if you were to only listen to the first few tracks of this 2018 comeback disc. ‘The Light’ presents lots of floaty, dreamy alternative sounds – ’tis true – but it ploughs deeper into bits of alt-folk than most dreampop acts would consider, or even dare.

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THE RAFT – Orion EP

There have been several albums and EPs released by The Raft since 2003, but few have sounded quite as much like a glorious love letter to the 90s as 2017’s ‘Orion EP’. Its four songs of haze and jangle pull influences from the usual suspects in shoegaze and dreampop – you’ll hear a dose of The Cranes here; a pinch of The Sundays there – but no matter what the ingredients, this musical recipe serves up a consistently feel good sound.

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CLIMBING ALICE – Living EP

At the beginning of 2016, Wakefield’s Climbing Alice sounded like a force to be reckoned with on their ‘Melt Yourself Up‘ EP. Mixing alt-rock, goth and shoegaze noises, the four piece band created a great listen via a wealth of influences. There wasn’t so much in the way of immediate hooks or catchy melodies, but if it were a riff or six you craved, the EP – and band – came up winning pretty much every time.

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