Most Fall fans would have put good money on the fourth release of Cherry Red Records’ “Fall Sound Archive” series filling one of the gaps between #2 and #3 with an expanded release of 1980’s ‘Grotesque (After The Gramme)’ or following the excellent ‘Hex’ related box set with a vastly expanded edition of the excellent ‘Perverted By Language’. Few would have predicted things would take such a huge left turn by jumping ahead to an album that kick-started the final phase of the band’s long career. Almost as unpredictable as Mark E. Smith himself, The Fall Sound Archive Vol. 4 takes a massive leap and gives fans a broad look inside the many cogs and workings of 2007’s ‘Reformation Post-TLC’.
Following the mammoth 6CD box set containing a wealth of Fall recordings surrounding ‘Hex Enduction Hour’, the FALL SOUND ARCHIVE series takes a massive leap forward to 2007 in March with a massive four disc reissue of ‘Reformation Post TLC’.
On The Fall’s debut album ‘Live At The Witch Trials’, Mark E. Smith famously claimed there’d be No Xmas For John Quays. For Fall fans, xmas has come early this week, since Cherry Red have knocked 20% off their complete Fall archive.
Following their 2018 box set of archive live recordings, Cog Sinister are getting ready to release ‘Set of Ten #2’, a second box of Fall related live recordings, this time dating from between 1984-2014.
Many albums get tagged with the word “seminal”, but few are more deserving of that than The Fall’s ‘Hex Enduction Hour’. Spearheading the beginning of a very prolific period for the band, ‘Hex’ is more than an album – it’s an art project. Given its subsequent influence upon on experimental underbelly of rock, punk and indie music, it’s fitting that it would eventually provide the heart of a great box set.
The third edition of Cherry Red’s Fall Sound Archives reissue series, ‘1982’ does exactly what it says on the tin. It brings together two studio albums (‘Hex Enduction Hour’ and ‘Room To Live’), various Peel Sessions and a slew of live recordings (a vastly expanded edition of ‘In A Hole’ and a harder to find live recording sourced from an Australian gig).