Welcome back to the Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This time out, we’ve got a really arty track with a strong 70s undercurrent, a disarmingly honest number from a young, up and coming singer-songwriter, some vaguely baroque adult oriented pop, a legendary band fusing different styles in an unexpected way…and more. As always, we hope you find something new to enjoy!
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With their debut release ‘Gilded Echoes’, Scotland’s Silver Dollar Room delivered one of the finest albums of 2024. Its mix of hard rock and grunge drew from classic sources, including Smashing Pumpkins (with better vocals) and Bush (but with better songs), creating something that sometimes felt a little nostalgic but still relevant in the present.
After leaving Fairport Convention rather prematurely in 1969, singer songwriter Iain Matthews embarked on what was to be an epic musical journey. His first solo album ‘Matthews’ Southern Comfort’, released that same year, saw him venturing further away from folk and further into the realms of country rock and Americana, and two further albums released under the Matthews’ Southern Comfort band name cemented a warm, rootsy sound, eventually netting Matthews a UK #1 hit with a cover of Joni Mitchell’s ‘Woodstock’, presented in the mould of the Crosby, Stills, Nash & Young version. For the more casual observer, that will be the recording for which Iain is best known.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the past few weeks. For lovers of acoustic sounds, there’s a real treat to kick off this week’s batch. You’ll also find a decent slice of metal, a dark themed cover tune, a cool guitar based instrumental and more. As always, we hope you find something new to enjoy!
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Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. This batch brings the usual eclectic quality. We’ve got a couple of returning faces, but a whole world of new stuff for you. This week’s singles bring together an acoustic work, a remixed slice of electronica, a brilliant debut single from a band who pepper their rocky edge with some great brass, and more besides. Grab a cuppa and dive in!
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