Tulipomania have always been a musical act who are keen on crossing genres and pushing boundaries, but with their ‘Dreaming of Sleep’ album (released in the dying weeks of 2023), the art rock duo took a big leap into the unknown. By dispensing with all guitars, the album’s material took an even darker and rather fierce turn, blending post punk, darkwave and goth influences to unleash a very arty collection of songs. It was the kind of record that wouldn’t appeal to a wide audience, and even some of their actual fans would be expected to work a little harder to reap the rewards, but it was never less than interesting.
Tag Archives: art rock
JOE GENI – Cities Built Upon Cities
When a promotional blurb suggests an artist is influenced by music as diverse as The Police, DJ Shadow and Claude Debussy, it’s hard to know what to expect. Is this record label hype? Is it a case of a performer clutching at straws, hoping that something will attract the potential listener? When it comes to singer songwriter Joe Geni, such wild claims…really aren’t so wild. His 2021 album ‘Doggerland’ offers a mad hybrid sound where the mood lurches all over the place. Just exploring the track ‘Superbloom’ in isolation, Geni takes the light Afro rhythms of Peter Gabriel tunes like ‘Mercy Street’ and fuses them with a bit of electronica, then adds a huge vocal that occasionally sounds like something David MacAlmont would turn into an absolute showstopper. Then, there’s the lengthy ‘Eyes Like The Ocean’ which bends what would’ve been a great pop-rock sound – akin to a moody deep cut from Sting – and adorns that with an almost trip-hop like atmosphere.
POLAR SON – Wax/Wane
Formerly known as Porshyne, Brighton’s Polar Son know their way around a riff. On Porshyne’s 2017 EP ‘Environmental Music’, those riffs took an arty, sometimes heavy path, taking in elements of Oceansize, Tool and bits of Godsticks, beneath a vocal that sometimes shared a love of Thom Yorke’s grander moments. It was the kind of release that deserved to place the band among up and coming prog/prog metal acts. Unfortunately, despite champions in a few high places, any massive traction the band deserved was cut short by a global pandemic.
THE 3 CLUBMEN – The 3 Clubmen EP
XTC’s Andy Partridge is a legend of the alternative music scene. From his former band’s early punk beginnings, through their angular post-punk and dub experiments and, latterly, into a world of epic pop-rock, Partridge’s unique voice always shone through. In terms of grasping off-kilter melodies and making them truly work, he shared a unique talent.
Since the demise of XTC, new music from Andy has been rare, but often very welcome, and this EP from The 3 Clubmen – teaming Partridge with Lighterthief’s Stu Rowe and inventive guitarist Jen Olive – is no exception. It’s a true collaboration, too, giving all three musicians equal space within the arrangements, and feels like something that pushes their artistic agenda into new territory.
DRAAGYN – Bent Rib EP
This three track release from Draagyn isn’t shy in taking gothic infused metal into some interesting places. There are musical elements that are very recognisable from her 2019 digital single ‘Majesty’ (namely, bursts of classic sounding black metal) and the tech/prog metal riffs from 2020’s ‘A Night Between Two Days’ still maintain a strong presence, but there’s also a desire to throw in a few more commercial riffs and contrast those with something even more extreme at times. It’s fair to say that the composer’s hand now seems much stronger. It isn’t necessarily a question of confidence, but rather more a greater acceptance of creative freedom; of knowing when to cast aside any perceived boundaries and when to pull back, and throughout ‘Bent Rib’, Draagyn uses that to her advantage, even though it sometimes results in sounds that are challenging.