In terms of their very limited studio output, Flash were, and remain, one of the most overlooked bands of the early 70s. Despite featuring two ex-members of Yes – Peter Banks (guitar) and Tony Kaye (keyboards) – their work isn’t often mentioned with the revered tones it so deserves. Their first two albums (‘Flash’ and ‘In The Can’) are home to some brilliant sounds, mixing elements of blues and prog with bits of hard rock. Although sometimes less fussy than the band Banks and Kaye left behind, Flash’s work is no less grand. At their best, they could fuse jazz rock elements with ethereal vocals (‘There No More’), or hit upon a great 70s rock groove and pepper that with obvious Yes-like flourishes (‘Children of The Universe’). Their work could occasionally be derivative of Yes; their albums sometimes felt like cobbled together collections rather than truly cohesive works, but Flash were never dull.
Tag Archives: 70s
VARIOUS ARTISTS – Once Upon A Time In The Midlands: The Bostin’ Sounds Of Brumrock 1966-1974
When thinking of the rock sounds to emerge from Birmingham and surrounding areas, it’s all too easy to think of Slade and their chart topping stompers, of Roy Wood and his flamboyant take on glam rock, and of heavy metal pioneers Black Sabbath and Judas Priest. All of those bands really helped to put the Midlands on the map – that could never be disputed – but Brum and its surrounding neighbourhoods offered British music so much more throughout the sixties and seventies. ‘Once Upon A Time In The Midlands’ brings together various heroes, forgotten gems, period rarities, and even the occasional hit in a brilliantly compiled 3CD package that’ll educate as much as entertain.
Although the three discs aren’t in a strict chronological order, this collection has a definite flow, moving through psych and beat groups, into a world of seventies rock and finally ending up with the glam-ish sounds of Blackfoot Sue and an early tune from Judas Priest. As always with these sets, though, ‘Bostin’ Sounds’ works best when approached as a curate’s egg, with the listener dropping in at random on a couple of old favourites and discovering something old – yet new – along the way.
AFFINITY – Affinity
Back in those pre-internet years, it was often difficult to hear really rare albums. There were a whole world of psych, jazz rock and proto-hard rock LPs that were regularly mentioned in Record Collector magazine that seemed shrouded in mystery. Often issued on the Philips, Deram, Major Minor and Vertigo labels, discs by Head Machine, Elias Hulk, The Open Mind and Second Hand – all now available on CD – were almost the vinyl collector’s equivalent of the Holy Grail.
Another such disc, the one and only album by Affinity, was another highly praised gem from the dawn of the 70s that, at one time, seemed destined to languish in the hazy, distant past. In the mid 90s, a decent vinyl pressing could fetch £40-£50; hardly an impulse purchase, should you stumble across one. A CD repressing from Repertoire Records in 1993 finally meant the album became accessible to an audience who missed the band during their brief lifetime, but a lack of UK release meant this disc was almost as elusive. It wasn’t until 2002 that the Affinity LP was given a long overdue CD release on home turf, but that eagerly awaited edition on Angel Air Records was sourced from under par materials.
VARIOUS ARTISTS – Breakthrough: The Underground Sounds Of 1971
According to music historian and author David Hepworth, 1971 is “rock’s most exciting year”. There are a lot of music fans of a certain age who would agree with that: those keen record buyers who still treasure well worn copies of Uriah Heep’s ‘Salisbury’, Caravan’s ‘In The Land of Grey & Pink’, Hawkwind’s ‘In Search of Space’ and Rory Gallagher’s ‘Deuce’; people who’d hit their early twenties in time to hear Pink Floyd’s ‘Meddle’ and Emerson, Lake & Palmer’s ‘Tarkus’ with fresh ears when the sounds of those hugely indulgent arrangements sounded like the future; and certainly not forgetting those for whom the first three Black Sabbath albums heralded the arrival of a whole new genre, but arguably hit perfection in ’71. There’s a lot of further weight to be added to the argument that 1971 is musically significant, with lesser known albums by Samurai and Jade Warrior propping up the art-rock scene, The Zombies’ Colin Blunstone delivering an absolutely killer solo debut with ‘One Year’ and Phil Collins making his first major appearance with Genesis. All of that barely scratches the surface, of course, but it’s fair to say there was always far more to 1971 than Led Zeppelin’s monolithic fourth platter and ‘Who’s Next’.
VARIOUS ARTISTS – Taking Some Time On: Underground Sounds Of 1970
As a contrast to the ‘Progressive Pop Sounds’ sets from Cherry Red Records subsidiary label, Grapefruit, the ongoing ‘Underground Sounds’ series from Esoteric opts for something far more rock oriented. Early collections covering 1968 and ’69 resulted in fine, but unadventurous sets of tunes, and as the series moves into the 70s, fans can expect a similarly accessible approach. Although the four disc delve into 1970 doesn’t necessary dig too deep for obscurities, it still plays very well as a compilation in its own right. In a little over four hours, it serves up nostalgia, unfamiliar curiosities and enough genuine classics to give a solid overview of the year’s prog-leaning and guitar heavy sounds.