Plane Groovy Records were well ahead of the curve with regards to any kind of vinyl revival. Long before the retro format had a huge presence in HMV and before Record Store Day became a cash-cow on the record buyers’ calendar, the UK label was championing the format with high quality pressings of cult titles. They provided the only physical format for the first Strange Majik album and were responsible for bespoke, limited pressings of Big Big Train albums and more besides.
IRON MAIDEN – Killers
Iron Maiden’s second album ‘Killers’ was released in the UK in February 1981, just ten months after their debut LP. Not so much “born into a scene of angriness and greed, dominance and persecution” as born of haste following EMI’s request for a speedy follow up, it was a “second album” in almost every conceivable sense. Faced with the prospect of having to deliver a new product amid relentless touring, they looked to their archive of already written material and plundered it for all it was worth. Years of honing their sound on the road and the fact the debut included just eight tracks, they found themselves in the fortunate position of having a cushion of material – and while it’s sometimes obvious why some of the tracks were not considered first division material when compiling the debut, Maiden’s “leftovers” were still strong, with some tracks having already become firm fan favourites by the time Steve Harris and company re-entered the studio.
The Radio Buzzkills invite you to ‘Get Lost’…
The last few years have been very much a case of “onward and upward” for The Radio Buzzkills. The St. Louis pop-punkers released their EP ‘The Quick & The Cheap’ in April 2016 and just five months later plans were afoot for the band to share a stage with their hero and Screeching Weasel co-founder, John Jughead.
Their tenacious and never-say-die attitude led to the Buzzkills working with another of their heroes, Dave Parasite, on the first full length album the following year. Released early 2018, ‘Get Fired!’ was a masterpiece of pop punk. With a couple of Parasite co-writes and an amazing production job, The Buzzkills had made a classic record, their very own equivalent of Screeching Weasel’s ‘Anthem For A New Tomorrow’.
SIGNAL – Signal EP
Not to be confused with the American AOR band fronted by Marcie Free in the late 80s, this twenty first century Signal play very ragged hardcore punk. The band’s rhythm section once comprised two thirds of the lo-fi garage punk combo The Meltaways and if you were ever a fan of that band, then Signal’s brash stance should very much appeal.
Harem Scarem to release 14CD ‘Ultimate Collection’ in March
Always a much loved band in melodic rock circles, Harem Scarem have released some great albums over the years, with their first two albums very much at the forefront of the scene at the point where the AOR glory days of the 80s reached their end.
Over the following years, Harry Hess, Pete Lesperance and band continued to make great music, with their 2002 release ‘Weight of The World’ ranking among their best.
Outside of Japan, most of their albums have been increasingly hard to find, but March 2019 will set that right when most of the band’s catalogue is set for release as a lavish fourteen CD set, pairing the first twelve albums with an “Early Years” disc and an exclusive disc of rarities. The good news for fans looking to fill those collection gaps is that each of the individual releases also includes the relevant bonus tracks from the Japanese releases and more besides.
The full details can be found in the press release below.
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