Glenn Robinson is one of the great purveyors of Ramones influenced punk sounds. The Rhode Island musician was previously the drummer with The Prozacs but subsequently used his multi-instrumentalist’s skills to carve out a solo career. Each of his releases offers something to enjoy, but this third album by his “band project” Pavid Vermin (where Robinson plays everything) has the potential to be one of his best. What’s more, ‘Cutting Corners’ isn’t quite everything it appears to be on the surface. A quick look at the track listing suggests a punky romp through the songs from The Beatles’ classic ‘Abbey Road’, but behind the familiar titles lie seventeen of the purest, self-penned pop punk bangers, guaranteed to thrill fans of the style. Titles aside, no further credit goes to Lennon/McCartney.
New York punks Radio Blast are one of those bands that wear their influences proudly. Not only does their brand of timeless pop punk owe a huge debt to the sounds made by Ramones back in the 70s, but almost everything they do suggests a massive love of Screeching Weasel. Their band name comes from one of Ben Weasel’s most classic songs; the artwork used their 2019 EP ‘Let’s Rock’ that bears a striking resemblance to the first edition of SW’s ‘My Brain Hurts’ and even the slightly off key backing vocals on that EP’s ‘Teenage Crush’ could’ve been directly inspired by any number of Weasel songs. What this means, of course, is that fans of the genre know exactly what they’re in for…and Radio Blast are yet another great band in a very long line of Ramonescore acts that value catchy hooks at almost every turn.
They’ve been fired and they’ve got lost…and now they’re bored. Finding themselves in this situation having been worn down by the corruption of US politics and months of isolation during a global pandemic, The Radio Buzzkills have filled some time recording an EP of covers. It may be a stopgap until live performances resume, but it’s anything but tossed off. In fact, the five tunes draw from a wonderfully broad musical palate, which the Buzzkills remould into high energy slabs of pop-punk that you’ll definitely love if you’ve had any time at all for their previous work.
A collaboration between members of Dutch punk bands The Windowsill and Accelerators, Giant Eagles takes both groups’ pop-punk roots, applies slabs of synthesiser and massive power pop choruses to create sounds that show off an almost equal love of Ramonescore and early 80s new wave. Seven years on from their debut, the Eagles’ comeback disc ‘Second Landing’ presents thirty two minutes of near perfection, where catchy as hell choruses mesh with some brilliantly constructed and shamelessly retro tunes.
Approximately eighteen months after releasing two new songs on a split EP with the Raging Nathans, Chicago pop-punk legends Parasites gave fans yet more previously unreleased material in February 2020 as part a split with Dutch punks Lone Wolf. At the time of release, it started to feel like an eternity since the world last saw a new full length disc from Dave Parasite – his preference for releasing a couple of new songs every couple of years certainly keeps the fans ever hoping – but any new music is welcome, especially with one of the tracks from ‘Passport Split Series Vol. 4’ approaching somewhere near top-drawer Parasites.