Sleeper – London Astoria, April 1994

The Britpop years between 1993-97 brought wave after wave of great music.  From the well documented – Oasis, Blur, Suede and Pulp – to those lesser talked about years later – Gene, Marion, Menswear – each act brought their own slant to classic retro styles, often centering around guitar driven pop-rock.

Among the big players were Sleeper.  Sleeper were special.  With a musical grounding that mixed the pop hooks of Blondie and the proto punk-pop of The Undertones with lyrical narratives that were often interesting, their first two albums (‘Smart’, 1995 and ‘The It Girl’, 1996) have really stood the test of time.

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Muy Mola!: Real Gone meets Kurt Baker

Kurt Baker is the very definition of “cult hero”. He’s played in various bands since the 90s and been a very active member of both the punk and power pop scenes. He knows most of your punk heroes personally…and yet, chances are, many of you will still be unfamiliar with his work. In July 2017, Kurt completed his first UK tour in several years, promoting the Kurt Baker Combo’s first studio release ‘In Orbit’. Real Gone met him at his Brighton stop for various drinks and a lengthy chat. Nothing was taken down formally. It was decided that upon Kurt’s return to Spain, we ought to get something on record for posterity, since the visit was an important one in his ongoing musical journey.

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Rhythmically Admired: Elvis Costello’s ‘My Aim Is True’ turns 40

In the autumn of 1977, a most unlikely star made his big breakthrough on the UK music scene. A jerky and energetic man sporting Buddy Holly spectacles, Elvis Costello was to make regular appearances on Top of The Pops over the next couple of years. The power in most of his musical arrangements was immediate, but lyrically, this was a man who was a cut above. Spewing more sneering puns than anyone would likely hear on hit singles until Carter The Unstoppable Sex Machine would make their breakthrough in 1989, Elvis cut a very distinctive presence.

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ZWAN – Live at Rock am Ring 2003

In just two short years, Zwan demoed and recorded a huge amount of material.  Whether in their electric format (The True Poets of Zwan) or stripped back and more acoustic driven (Djali Zwan), the Billy Corgan-fronted project showed a great depth and inventiveness.

Always a prolific writer, with Zwan, Corgan occasionally showed off his power pop influences (‘Lyric’, ‘Yeah’) alongside expansive prog rock indulgences (‘Jesus I/Mary Star of the Sea’).  While not always championed by everyone, this varied approach to material ensured Zwan’s only studio album remains a thrilling listening experience years after the event.

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The Great 70s Project: 1979

Looking back, the three years between the disco and pop oriented sounds of 1976 and the majestic jumble of influences that fill 1979 are a huge gulf. By 1979, disco was on it’s last legs, punk had firmly given airtime to what we now think of as new wave and the pop music of the day was about as strong as it had been since 1975.

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