This 2009 split release from Riotska Records brings together otherwise unavailable recordings from two Russian bands – The Poseurs and Kung Fu Devils. Five songs from each is enough to give more than a taste, and more than enough to demonstrate that both acts have their strengths while tackling punk-rooted music from different angles.
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HOGGS BISON – The Dog Party Call EP
Hoggs Bison are another of those bands that could fall into post rock or art rock categories, with the creation of instrumental canvases that are often too rooted in nineties climes to be labelled straight prog (if indeed there is such a thing). At the same time, they aren’t necessarily always busy enough to warrant a definite math rock tag, even though fans of that style could certainly enjoy this release. In other words, although their music has some obvious reference points, their chosen path isn’t always easy to categorise; but it might be fair enough to say that lovers of Slint, Sonic Youth and the quieter output of the mighty Fierce and The Dead could find a musical kinship with this Bristolian trio.
PATRICK BOUTWELL – Hi, Heaviness
Singer-songwriter Patrick Boutwell is best known for being a member of alt-rock band The Brother Kite. For his 2016 solo release, he takes a side-step from some of the noisier and spikier aspects of his band work to increase the focus on some good, old-fashioned power pop, but without losing too much of the grit. Although the title ‘Hi, Heaviness’ may suggest an inward looking approach, the nine tracks on the album are largely concerned with a brighter outlook, helped no end by most of its tracks being awash with a clean toned guitar. Obviously, the power pop, Posies-esque influences should be enough for some of you to seek out this recording immediately, while for those already familiar with The Brother Kite, there are chunkier elements that provide a link with the past. He’s got both ends covered…and with ease.
ANGERDOME – Angerdome
Groove metal arguably came of age with Pantera’s third release for East/West Records, 1994’s ‘Far Beyond Driven’. Taking the sound the band had pretty much perfected on 1992’s ‘Vulgar Display of Power’ and cranking the dials into the red on all fronts, it became the blueprint for all to follow. There have been some great bands working within the metal subgenre since that time, of course, but arguably, Lamb of God set a new standard with ‘Ashes of the Wake’ in 2004.
THE BLACK MILK PROJECT – Holes EP
The home of steel, Def Leppard, Cockers Joe & Jarvis (unrelated), Arctic Monkeys and the backdrop for Threads – arguably the most frightening film ever – Sheffield isn’t always a city we necessarily associate with easiness, funk or jazz, but from within the city’s smog comes The Black Milk Project, an unlikely named trio whose debut EP shows the kind of comfort and self-confidence within their chosen musical niche, you’d think they were spawned from somewhere more cosmopolitan…and possibly twenty-something years earlier. Their sounds, dominated by a flowing quality that’s sometimes a throwback to early 90s acid jazz, always have flair, but also a crispness that really helps such easy tones not drift too far towards the easy listening.