There are literally millions of thrash and death metal bands out there on the underground scene. Some of them are as rough as hell, but once in a while, a band will come along with the possibility of knocking the listener sideways. Despite a reasonably low budget spent on their debut 2016 release ‘Omnivorous’, Panama’s Harvest are one such band. Pretty quickly, it’s clear that the bulk of their sound owes so much to pre-‘Chaos AD’ era Sepultura…right down to a many of the vocal styles. It must be something in those Central and Southern American waters.
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NFU – Treason EP
Playing a distorted and heavily wah-wahed blend of bluesy hard rock, in theory, New York’s NFU are the kind of band who should draw easy comparisons to Hendrix, Zeppelin and various 90s hard rockers enamoured with both. That’s so obviously their aim. The reality, however, is somewhat shocking. Despite promising “an EP full of character”, it’s quickly apparent that these four musicians – using that word in its loosest sense – have little more than a basic grasp of their instruments. At best, listeners will be subjected to material that approximates a boring bluster. But that’s being somewhat kind, since the four songs on ‘Treason’ seem to be played by a band who have absolutely no abilities when it comes to playing in sync with each other.
New track from Irish singer/songwriter Kolumbus streaming now
At some point nearer the autumn, Irish singer-songwriter Kolumbus is set to release his debut EP ‘Give Them Life’. Ahead of the EP, he’s streaming the lead track ‘I Hope You Find Happiness’ over on his Bandcamp page (the track can also be streamed below).
SILVERBONES – Wild Waves
The questionable waters of “pirate metal” will always be ruled by Germans Running Wild, a band who took their concept to extremes and churned out albums for years. One of them even came with a warning of “loud sound effects” on the sleeve…and true enough, there were cannon noises loud enough to cause harm to many an expensive speaker set up. Other bands have attempted to cash in similar themes, but few – with perhaps only Alestorm worthy of a mention – have come close to creating such shiver-me-timbers silliness with such fervour.
THE SWAGGER – The Swagger EP
With Swervedriver’s Graham Bonner handling production duties and the band booked into The Kinks’ Konk Studios, the debut EP from London’s self-proclaimed grit-rockers The Swagger already got off to a more than reasonable start. Here is a band rich in influences – not only taking cues from the mod pop of Ocean Colour Scene, to the more raucous elements of The Who and a few heavier and psyched bands, but also taking cues from few UK punk bands along the way. This all results in a chunky sound that sometimes rocks, but more often than not, swaggers, thus dishing back each of the influences in a very cock-sure manner.