On ‘Dichotomy’, Exterminas’ third release – their second full length – the Italian extreme metallers take the basics of black and death metal sounds and shake them by their foundations. The guitars and drums still attack at lightning speed, the voice – if it could be called as such – veers towards the rather typical growl, and yet there’s something within these eight tracks which suggests at least one band member has a couple of musical interests within the classical sphere. You won’t find any orchestrated parts, though; that sense comes rather more from the way the guitar riffs occasionally leap from the more typical speed and into intricate tunes that sound as if they’ve been mangled from melodies centuries old.
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SONS OF PROVIDENCE – A Conscious End To Suffering
Looking at the minimalist artwork and bleak choice of title, you’d be forgiven for thinking this 2015 release from Arizona’s Sons of Provedence would be a doom metal affair, but straight up doom metal it very much is not. For this release, the three piece band twist in all manner of directions, from chunky metal, electronica and goth sounds, through stuff that sounds almost Nick Cave esque… While the music can change wildly from track to track – and often within those tracks – the overarching theme of the album is exceptionally dark.
STRANGE MAJIK – Raised On Rock ‘n’ Roll
In an unexpected move on his 2015 release ‘Lights On’, Strange Majik – aka David Pattillo – cast aside the raw blues of his band The Dead Exs for a deep voyage into funk and soul textures. The results were the very definition of “mixed bag”; while the music was often great, the variety of vocalists – and, rather more specifically, the inclusion of rap elements – meant some tracks worked far better than others, and it didn’t always connect with his existing fans. Taking a musical sidestep on 2016’s ‘Raised On Rock ‘N’ Roll’, it seems Pattillo has taken a long hard look at his musical past and crafted a record from the best of his findings. In many ways, it is the missing link between The Dead Exs and the first Strange Majik project. The funky edge and some soul aspects from ‘Lights On’ are firmly present, but the rap is cast aside. The end results firmly grasp the Santana-ish and Funkadelic grooves from that LP, but fuse them with a little blues and rock along the way…and with Pattillo handling all vocal duties, everything sounds like the funked up cousin of The Dead Exs, with some hard grooves delivered by a crack selection of back-up musicians.
NINE EIGHTEEN – Animals EP
Creating your sleeve art from public domain photos certainly saves on costs, but who knew the kid with the colander on his head was so popular? This EP marks at least the second time in the first quarter of 2016 he’s put in an appearance. To be fair, though, there’s a big musical gulf between the work of Rick Springfield and New Jersey pop-punks Nine Eighteen. Each one hugely talented, but never the twain shall meet, as they say.
