Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the previous few weeks. This time out, we bring you a new track from a still new rock band, a fantastic piece of soul, a heartfelt country number, a new take on a Halloween staple, and more besides. As always, we hope you find something new to enjoy!
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Scottish singer songwriter Stephen McCafferty is one of the best artists to emerge in 2025. He’s released a succession of great singles, showing off a writing talent that refuses to be pigeonholed.
Welcome back to the Real Gone Singles Bar, the place where we explore some of the individual tracks that have landed in our inbox over the previous few weeks. As usual, we’ve received a huge amount of submissions – this continues to be one of the most popular aspects of our website – and we’ve picked eight tunes that we feel captures the true spirit of the great sounds floating around the underground as we move squarely into a cold, northern hemisphere autumn. Among other things, there’s a 60s cover from a familiar name; some brilliant indie pop; a pleasingly downbeat number with some great orchestration, and a country influenced track from a superb singer songwriter. As always, we hope you find something new to enjoy!
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This visit to the Real Gone Singles Bar sees the return of a couple of familiar names – including one that should be known to almost everyone. The choice of music, of course, should be new to most people’s ears. We’ve got a well arranged indie pop number, some fantastic sounding goth-rock, another country tune from a brand new face, and even a really strong world music offering. With tunes covering a broad spectrum of sounds, we hope you’ll find something new to enjoy!
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On his debut album ‘Shadow Work’, singer songwriter Sam Varga made the juxtaposition of angst ridden, emo-centric lyrics and radio friendly melodies appear very natural. Despite the fact the record took all of about four seconds for him to confront his audience with the revelation that he felt like he was “rotting from the inside out” and another couple before dropping an f-bomb for extra angst, the album remained very accessible. At its best, tunes like ‘Stories We Tell’ and ‘Apocalypse’ played like the natural successor to the Ryan Adams best-selling ‘Gold’; ‘Up Down’ took the poppy heart of Simple Plan’s more commercial work and transplanted it into more of a singer songwriter sphere, while the chorus of the brilliant ‘Live Up To It’ gave a confident nod to the more contemporary pop rock of Bleachers. All the while, Varga still managed to sound like his own man – a songwriter with an occasionally sharp tongue, but in possession of an even sharper ear for a great melody.