Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting tracks that have landed in our inbox over the past few weeks. This time out, we welcome back two favourite goth themed bands, throw a spotlight on a classic sounding power ballad, and among other things, celebrate a couple of tunes with a funk core. As always, we hope you find something new to enjoy!
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With new tracks from a couple of the indie scene’s UK/Irish leading lights and a Bristol based guitar driven band who’ve already attained cult status, this visit to the Singles Bar feels rather weighted towards jangly material and swirly shoegaze sounds, but with a very retro sounding track that fuses blues rock with prog flourishes and a dreamy number from a French singer-songwriter, there’s a sharp contrast too, helping to keep the usual love of shining a light upon the most cult of artists. Bolstered by an unexpected reissue from the 80s and a lo-fi workout that could split opinion, it’s certainly an interesting selection this time around. As always, of course, we hope you find something new to enjoy!
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As we head even further into a new year, submissions for the ever popular Real Gone Singles Bar continue to be very interesting. This time around. We’ve got a perfect homage to those 90s classics from the 4AD label, the return of a great retro goth band, some British skacore, and even a lo-fi oddity that proves surprisingly effective. With a couple of rocky tracks along the way and some well played Americana, we hope most people will find something new to enjoy.
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In the promotional materials for ‘Mrs. Ladyships and The Cleanerhouse Boys’, The Smashing Times ask the pressing question: “How many times can you really watch ‘Blow Up’ alone in your room?”, before suggesting that their fifth album presents the work of “your new favourite Mod band”. Although, for the unaware, this might conjure thoughts of discovering an underground phenomenon in the mould of Secret Affair, or perhaps The Len Price 3, the Baltimore band is potentially setting the unsuspecting listener up for a fall. Beyond its grand title and fanciful claims, ‘Mrs. Ladyships…’ offers a world of similar sounds to prior Smashing Times long players, in that any 60s influences are offset by some fairly lo-fi production values.