DANY LAJ AND THE LOOKS – Ten Easy Pieces

Unless you happen to be from Ontario, or perhaps have an unhealthy obsession with Transatlantic power pop, there’s a good chance the name Dany Laj will not mean much to you. With his band The Looks, Dany has been cranking out quirky pop-rock sounds since 2016, but his recorded output goes back even further with a (now rare) solo EP from 2010. The third album by Dany Laj and The Looks – 2019’s ‘Everything New Is New Again’ – received some very positive notices from established DIY power pop blogs around the net, cementing the band’s place as a cult act, but the bulk of the Looks’ 2021 LP ‘Ten Easy Pieces’ (featuring twelve songs) runs rings around their previous works.

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WATTS – Shady Rock & Rollers

Following the release of their digital EP ‘All Done With Rock N Roll’ in 2017, the members of Watts took a little time out to work on other projects. Over the following two years, drummer John Lynch recorded a new LP with garage rock legends The Neighbourhoods; both he and guitarist John Blout (along with Neighborhoods man David Minehan) contributed to a great solo release from The Dirty Truckers’ Tom Baker, and vocalist Dan Kopko eventually surfaced as a member of a member of The Shang Hi-Los, a brilliant power pop band also featuring The Deadbeat 5’s Jen D’Angora. You could never accuse the band of being lazy but, on top of all of that, several Watts singles appeared digitally via Bandcamp over the course of the period. By giving fans a new track every few months, it really helped to keep the Watts legacy alive during the relative downtime.

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A BUNCH OF JERKS – The Dead EP

If you’re the kind of person who always expects musical perfection, Boston garage rockers A Bunch of Jerks just won’t be for you. Since their inception, the band have always championed a ragged style: their sound is often driven by an overly loud drum kit; there are never any attempts made to fix any wobbly vocal moments and, generally, you get the feeling the band put the same level of care into their recordings as they put into their frankly terrible choice of band name. Regardless of their trashy aesthetic, they’ve plugged on and won fans and supporters – not least of all from the bands within the Rum Bar family – and by 2020, they seemed to have a fairly solid online presence.

Their ‘White Girl Wasted’ digital EP – released in March ’20 – provided a reasonable snapshot of their no-frills style, presenting front-woman Stabby’s vocals high in the mix on a couple of raw, self-penned tunes. The free download also gave a welcome look into their broad world of influences via a spirited (but somewhat unfussy) cover of The Rezillos’ ‘Flying Saucer Attack’ which showed bassist Bat to be a pleasingly muscular player.

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