Welcome back to the Real Gone Singles Bar, the place where we explore some of the more interesting individual tracks that have landed in our inbox over the past few weeks. This time out, we’ve got a number with retro post punk leanings, a catchy piece of garage pop, a huge and jangly workout that falls between garage rock and melodic punk, something insanely heavy, and more besides… As always, we hope you find something new to enjoy.
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Dewey’s debut single ‘Jinx’ signified the arrival of a band with a potential greatness. On that track, the young Parisians served up a sound wholly indebted to the 90s with a massive shoegaze tone that really pushed some interesting guitar work to the fore. Right from the opening notes, though, it was clear that each of the band members had something important to offer when a solid drum part powered a fine groove, and the wall of guitars was joined by an equally solid bass.
Above all, ‘Jinx’ sounded far more melodic than a lot of the genre’s pioneers – a slither of indie melody contrasting the semi-woozy feel that the likes of My Bloody Valentine wouldn’t deem necessary made the single so much more accessible, and the way a busy and almost otherworldly keyboard line layered the main melody with something a little busier definitely gave the performance far more of an uplifting quality. Taking pride of place on Dewey’s ‘Summer On A Curb’ LP – issued almost three months later – ‘Jinx’ sounds better than ever.
In June 2025, French punks Flippeur released ‘Pacman’, a frenetic single that took punk’s energy, added a bunch of bending synth sounds and a relentless jangle to create a really punchy track that hit its audience so hard that, even for those non-French speakers, it couldn’t fail to impress. In and out in just seventy nine seconds, it barely gave the listener time to over-think what they’d just heard, and that feeling of pure, unrestrained energy went a long way to suggesting Flippeur would be worth keeping an ear for in future.
When French band Lùlù released their eponymously named debut single in the closing weeks of 2024, it felt like the most exciting thing to happen to the power pop world since Gavin Bowles & The Distractions released their debut LP a year earlier, or possibly even since The Shang Hi Los released ‘Aces, Eights & Heartbreaks’ in January 2023. It’s not even that the track broke new ground; far from it, in fact. Its all round brilliance came from a desire to work squarely within a classic style.