As part of the second wave of nu-metal, Kittie will always be best known for a couple of cult singles from their debut album, ‘Spit’. While one of those tracks, ‘Charlotte’ remains arguably one of their finest recordings, the all-female growlers carved out a career that by the end of 2016 had released six albums and had experimented with various metal-based subgenres. Band founder and drummer Mercedes Lander launched a new band near the end of that year…and on the basis of their first studio recording, The White Swan puts the entire Kittie catalogue in the shade.
Tag Archives: metal
SPACEBEAST – Spacebeast
Imagine what Melvins might sound like if they played in a huge aircraft hanger, its empty space echoing each note and increasing the overall intensity. Or perhaps you took Cathedral and Down LPs and played them back at about 15rpm. That’s kind of the effect that you’ll get from hearing this five tracker from Portland sludge merchants Spacebeast for the first time.
Real Gone’s best albums of 2016
2016 has been an interesting year. We’ve heard hundreds of albums and we’ve heard lots of good ones, but in comparison to the previous couple of years there has been a paucity of great ones. Nevertheless, there’s always gold to be mined and here are Real Gone’s top ten albums of the year.
[As always, in the interest of fairness, the choices are limited to those actually reviewed on the website]
KING COLUBUS – King Colobus EP
“Breathe out, breathe in…it’s time for the circus to reel you all in” exclaims King Colobus frontman Stewart MacPherson during ‘Tits & Teeth’ – very much a contender the most interesting track on the Devon-based band’s self titled EP release. Acting as part of the main hook, his unsettling request seems at odds with the old stage maxim at first, but it’s that unflinching contrast that makes the track so appealing. There’s nothing flippant about this performance; no greasepaint masking the true emotions. Nor is there anything nothing disposable about the surrounding heavy riffs or swathes of fuzz that drive the band’s sound. Here, perhaps more than ever, the band put across their musical intents with the most clarity. With a combination of stoner rock grooves, dark vocals and alt-rock leanings, these guys have solid foundations.
Three disc reissue of Judas Priest’s ‘Turbo’ due for release in February
Arguably one of the most unloved Halford-fronted Judas Priest albums, ‘Turbo’ was also the band’s most commercial sounding. Originally conceived as a double album, Columbia Records didn’t have the confidence that Priest had enough pulling power to shift units of an expensive two-record set and so the proposed eighteen tracks was scaled down to a more digestible nine track affair.