Between the doom metal riffs and darkwave synths, The White Swan gave the world two potential classics with their respective 2016 and 2017 EPs, ‘Anubis’ and ‘The White’. Lovers of heavy riffs were given plenty to mull over with the band’s self-penned material while the heaviest ever version of Wings’ ‘Jet’ proved the Ontario-based doomers also had a sense of fun. Their eagerly awaited 2018 release ‘Touch Taste Destroy’ doesn’t necessarily think much further outside of the box – but then, it doesn’t need to; The White Swan’s gift of riffs combined with an ultimate heaviness sees the three numbers off in particularly great style.
A yearly tradition, the Real Gone Sampler is one of the most popular things in our calendar. In previous years, we’ve given away great music by Kurt Baker, The 1957 Tail Fin Fiasco and Black Moth. Every year, the project rounds up the very best in DIY acts and aims to get great music out to a new audience.
On occasion, we’ve even been lucky enough to give you two end of year samplers. This year, the download is only one disc long, but we bring you over seventy minutes of underground sounds. We’ve got dream pop, shoegaze, roots rock, garage rock, singer songwriters and a whole bunch more. It could just be the best Real Gone freebie to date.
As always, reviews for each album can be found behind the band name links.
Sleeve art designed by Elena Barrio.
Towards the end of 2016, Canadian doom merchants The White Swan unleashed their debut EP. Although just offering the discerning riff-junkie just three tracks, on ‘Anubis’, Mercedes Lander and her crew of heavyweight sludge lovers proved that quality always wins out over quality. Between the band’s own ‘Blood’ – a perfect fusion of heaviness and an odd, treacly psychedelia – and the heaviest version of Wings’ ‘Jet’ ever – hearing is believing – the release was an instant classic. Several months on, their eagerly awaited follow up doesn’t so much pick up where the previous tracks left off, but tries its utmost to smash the previous efforts into smithereens [in this case, meaning a thousand pieces; at no point do The White Swan attempt to put their heaviest stamp upon anything written by Pat DiNizio, but it might be a fun idea…]
Canadian doom merchants and Real Gone favourites have some live dates on the horizon. For details, see the below poster. [Poster can be enlarged by clicking]
Also, check out their storming cover of the Wings classic ‘Jet’ in the embedded video below.
You can also read a review of their excellent EP here.
As part of the second wave of nu-metal, Kittie will always be best known for a couple of cult singles from their debut album, ‘Spit’. While one of those tracks, ‘Charlotte’ remains arguably one of their finest recordings, the all-female growlers carved out a career that by the end of 2016 had released six albums and had experimented with various metal-based subgenres. Band founder and drummer Mercedes Lander launched a new band near the end of that year…and on the basis of their first studio recording, The White Swan puts the entire Kittie catalogue in the shade.