WEIRD TALES – Too Weird To Live, Too Rare To Die EP

At the beginning of 2021, Polish doom metal band Weird Tales released an EP of material based around classic blues numbers. Their heaviness was without question; their lack of compromise even more so. Unfortunately, the end results were not only as scary as hell, but actually insulting to the legacies of the Delta blues pioneers. Good or bad – or in this case, possibly awful – they definitely made an impression.

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EMBR – 1021 EP

On their debut album ‘1823’, US metal band EMBR wasted no time in introducing their talents with a heavy riff. Across its seven songs, there were strong callbacks to doom and sludge greats like Crowbar jostling with flourishes that suggested a love of the darker side of the grunge and goth movements. Unlike so many other similar releases was a strong melodic core, helped no end by some great vocal performances from Crystal Bigelow. The band closed the year with a surprise covers EP, ‘Idolatory’, which further showcased their natural abilities for heavy sounds, as well as a love for some of Seattle’s finest exports. After that release, there was no doubt that this would be a band to watch out for in the future.

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DEATH ON FIRE – Six Foot Box EP

Indiana death metal/extreme metal band Death On Fire cover a wide musical ground on the follow up to their 2020 long player ‘Ghost Songs’. The ‘Six Foot Box’ EP only features three tracks, but by taking elements of old school thrash metal, a pinch of black metal coldness and broad strokes of doom, the material almost feels as if it crams in a full album’s worth of ideas into a little under fifteen minutes.

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WEIRD TALES – Y’all Motherfuckers Forgot ‘Bout Good Ol’ Son Of A Bitchin’ Blues EP

Polish doom blues trio Weird Tales laid down some pretty heavy vibes on their 2019 long player ‘Hell Services Cost a Lot’. Bookended by two lengthy workouts absolutely laden with distortion, it cared not for giving first time listeners anything easily digestible. Lurching through various slow and heavy moods, and with each track seemingly as oppressive as the last, it eventually blurred into a near hour’s worth of sludge. While those riffs were impressive – at least to begin with – a disregard for actual songs meant it was an album for the most committed doom fiends only.

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