For his first solo album, Chilean vocalist Ronnie Romero took the easy route and put together a covers album. To be fair, it’s not like he had anything to prove; in the year before its recording, he’d already recorded well-received albums with both Lords of Black and The Ferrymen. He wasn’t about to spend much time coasting along recycling other peoples’ classic rock works either, since he then released an album with his other band Sunstorm, which hit the shelves barely four months later.
When the legendary vocalist Joe Lynn Turner stepped away from Sunstorm in 2020, it could have been the end of the line for the much loved melodic rock band. After all, his departure not only left them without their distinctive voice, it also led to a band with no original members. In addition, Joe was the reason why most people loved Sunstorm in the first place. For these reasons, for Sunstorm to continue seemed like a strange decision. However, they battled on, thinking that Sunstorm name would be enough alone to shift a few units.
After securing the talented but busy Ronnie Romero in 2021, the band secured not only another top drawer singer – capable of tackling a broad range of styles – but also someone who’d technically filled Joe’s shoes when Ritchie Blackmore decided to revive the Rainbow moniker. On paper, Ron was perfect for the Sunstorm job. Since they were attempting to replace the irreplaceable, the reality could have been different, but between some well written songs and Romero in great form, the new-look Sunstorm’s ‘Afterlife’ was a solid affair, regardless of whatever band name happened to be on the box. It was certainly good enough to suggest that Sunstorm had a future without Turner.
The first three Sunstorm albums are classic melodic rock discs. Between a set of great songs and the strong vocal presence of the legendary Joe Lynn Turner, ‘Sunstorm’, ‘House of Dreams’ and ‘Emotional Fire’ (issued between 2006 and 2012) gave AOR fans a trilogy of unmissable releases, each one providing a great showcase for Turner, a man whose voice sounded pretty much as good as it did back in 1981. While the next two releases took on a slightly heavier direction – moving away somewhat from Sunstorm’s original remit – some well written songs and strong vocal performances ensured they were still enjoyable listens.
At the end of 2020, it was announced that Turner had parted ways with the band. This would be a massive blow for his many fans who’d primarily stuck with Sunstorm due to his involvement. More importantly, his absence means that 2021’s ‘Afterlife’ showcases a Sunstorm with absolutely no original members. The core of the band have only been in place since 2018’s ‘Road To Hell’, and the only link with anything further back comes via keyboard player Alessandro Del Vecchio – and he doesn’t really count, as he’s the record label’s hired hand who’ll basically play on absolutely anything for a few quid. With ‘Afterlife’ being Sunstotm in name only, maybe it was time to throw in the towel?
Between 2006 and 2012, legendary rock vocalist Joe Lynn Turner lent his talents to three great albums by Sunstorm; releases which celebrated his many years on the melodic rock scene as well as added to his impressive catalogue. 2012’s ‘Emotional Fire’ was especially interesting as it revisited Joe’s 80s legacy, presenting covers of songs on which he’d originally contributed backing vocals. In the hands of Sunstorm, Michael Bolton’s ‘Gina’ and ‘You Wouldn’t Know Love’ (a big hit for Cher, and old a final voyage into rock for “old two haircuts” himself) sounded as good as ever. Although 2016’s ‘Edge of Tomorrow’ was an enjoyable record and a worthy addition to the Sunstorm catalogue, it gained more of a mixed response for a couple of reasons: firstly, it had a rockier feel and furthermore, it was effectively Sunstorm in name only – Turner was now fronting a completely different band.
In 2015, the legendary Joe Lynn Turner lent his vocal stylings to an all-star project entitled Rated X. A hard rock release best designed to impress fans of a Euro metal style and injected with an obvious influence from Rainbow, the album found Joe in good voice. It was also by far the best thing Carmine Appice had been associated with since 1986. Fans hoped that Turner would next reappear as part of the resurrected Rainbow and, by all accounts, he was keen to get involved, but Ritchie Blackmore – and perhaps, more importantly – Ritchie Blackmore’s ego had other plans.