Formed in 2015, Tides of Ire gradually began to make a name for themselves through intensive gigging on the grassroots metal scene. Over the course of the following three years had picked up a loyal following due to their solid presence at intimate venues. Their first two EP releases (2017’s ‘The Burning Sea’ and 2018’s ‘Deadline’) quickly established their tough but melodic sound and while 2019’s ‘Betrayal’ offers plenty of similar sounding material, a couple of tracks easily represent an even bigger step forward.
WIZARD RIFLE – Wizard Rifle
Wizard Rifle are a two piece noise rock band from Portland, Oregon. They began thrilling (and terrifying) audiences in 2010. This self titled release from 2019 is their first for Svart Records (home to Witch Mountain, Harvest, Brutus and various bands with Scandinavian sounding names), but despite making the leap from DIY recordings to signing a cult metal oriented label with a keen fan-base, Wizard Rifle haven’t become any more commercial. Their self titled record features just five tracks, but within those lengthy arrangements you’ll find sections of music which seem bolted together and huge slabs of music created from mangled riffs and sludgy sounds. Always with an ear on sculptures more than songs, it’s tiring…but also brilliant. Hearing Wizard Rifle for the first time is like experiencing Buzz Osborne from Melvins jamming with the now defunct That Fucking Tank while disturbed people shout randomly. With every listen after that, something new comes through; new noises, new howls of pain…but you’ll never forget that initial experience. And it is an experience.
Dearly Beloved announce new album, UK tour with Sebadoh and share new video
It’s been three years since Canadian alt-rock band Dearly Beloved visited UK shores and even longer since they last released an album. There is finally some good news for lovers of this underrated band, as a new album entitled ‘Times Square Discount’ is due for October release. The band will be promoting the record on a long Euro tour with Lou Barlow’s Sebadoh.
THE DOORS – London Fog 1966
For many years, The Doors seemed poorly served in terms of live material. Even after their music had turned on a new generation of fans in the early 90s, it seemed the only way to experience a Doors live show was via the double ‘In Concert’ CD – itself a repackaging
of the out of print ‘Absolutely Live’ coupled with a couple selections from ‘Live At The Hollywood Bowl’. In terms of audio releases, there was no way to actually experience a complete show. It wasn’t really until the arrival the “Super Deluxe Edition” and box sets becoming far more commonplace that the band finally got their due with regards to live releases. From 2000 onwards, the Bright Midnight label set about raiding the archives and finally unleashed complete shows. Despite being of varying lengths and qualities (The Doors were never the most consistent of live acts), each release represented a fan’s dream, but he six disc ‘Live In New York’ – featuring every note played at four shows at The Felt Forum in January 1970 – went above and beyond what anyone expected.
BIG RIVER – Redemption
Released over three years after the band’s formation, Big River’s debut album was a long time coming. Between 2016 and 2019, the band spent what seemed to be an eternity playing small venues on the UK’s south coast. The constant live work made sense, no matter how small a venue; there’s no point in spending money on recording before there’s an audience. Having been guitarist with several grassroots rock acts before Big River were even a twinkle of an idea, that’s something that band founder Damo Fawsett knows only too well. Three years of gigging eventually paid off, though, when in 2019 Big River scored support slots with both John Corabi (ex-The Scream/Union/Motley Crue) and Marco Mendoza (Dead Daisies/Black Star Riders).