MORDRED – Volition EP

Back in the early 90s, Mordred attracted a loyal following with their crossover brand of thrash metal. Their second full length album, 1991’s ‘In This Life’ gained very positive reviews and the single ‘Falling Away’ is still guaranteed to awaken some very nostalgic feelings for anyone who happened to be in their late teens or early twenties at the time of its original release. For reasons that still don’t make entire sense, Mordred never became genuinely massive. Sure, they got all the press and worked hard on a string of support slots on great metal bills, but they never became truly major players. Perhaps their prominent use of scratching and DJ turntables was something that didn’t sit well with the metal purists, or perhaps it was their injection of funk, but that kind of mixing things up didn’t upset thrash fans when Anthrax dabbled with rap – sometimes very badly. Mordred deserved to at least be as big as Anthrax, but it wasn’t to be, and after the release of a third album in 1994, they split.

An unexpected reunion in 2013 gave the world a couple of successful tours and a digital single, ‘The Baroness’, but it didn’t seem like quite enough and as the years passed, any hopes of more new material felt as if they were fading.

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GIANT EAGLES – Second Landing

A collaboration between members of Dutch punk bands The Windowsill and Accelerators, Giant Eagles takes both groups’ pop-punk roots, applies slabs of synthesiser and massive power pop choruses to create sounds that show off an almost equal love of Ramonescore and early 80s new wave. Seven years on from their debut, the Eagles’ comeback disc ‘Second Landing’ presents thirty two minutes of near perfection, where catchy as hell choruses mesh with some brilliantly constructed and shamelessly retro tunes.

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MAGNUS KARLSSON’S FREE FALL – We Are The Night

A prolific musician, Magnus Karlsson has worked with many legends from the hard rock and melodic metal scene. You’ll find his name attached to works by Magnum’s Bob Catley, TNT’s Tony Harnell, Russell Allen, Bobby Kimball and Phenomena. He’s also been a member of Euro metallers Primal Fear. Perhaps most importantly, the Swedish multi-instrumentalist has received great press for his own project Free Fall, designed to showcase his melodic metal prowess behind an impressive roll call of guest vocalists. An enjoyable self-titled release set a high musical benchmark in 2013 with a collection of very European sounding bangers. A follow up, 2015’s ‘Kingdom of Rock‘ (not to be confused with an identically titled project from the legendary Michael Schenker), sometimes showed a lighter side with contributions from Joe Lynn Turner and Harem Scarem man Harry Hess and although a more hit and miss disc, it still provided a decent collection filler for anyone enamoured with the style.

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BLUE ÖYSTER CULT – iHeart Radio Theater N.Y.C. 2012

In 2012, Blue Öyster Cult released ‘The Columbia Albums Collection’, a seventeen disc set rounding up their output for the label between 1973 and 1988. It was a set that was worth picking up even for those that owned some of the albums previously, as it also included a couple of discs of rarities. For a limited time, owners could even access four previously unreleased live shows via the BÖC website, which was a definite sweetener for those who’d bought ‘Agents of Fortune’, ‘Spectres’ and ‘Some Enchanted Evening’ a couple of times over already.

To promote the box set, the band held a one-off concert in New York. Finally released as ‘Iheart Radio 2012’ in the summer of 2020, when heard retrospectively, it isn’t a perfect set by any means, though it has enough to recommend it. Capturing the band in front of a select audience of 200 fans, the recording could have had a similarly flat atmosphere to ‘Agents of Fortune – 2016’ (released via Frontiers Records in early 2020), but due to not being tied to such a rigid setlist, founders Donald “Buck Dharma” Roeser and Eric Bloom, along with bassist Kasim Sulton, guitarist Richie Castallano and drummer Jules Radino, sound much less like a band going through the motions (no pun intended).

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