There’s some good news for Yes fans this October since Esoteric Recordings have announced the release of Chris Squire’s classic album as a blu ray audio release.
PILOT – The Albums: 1974-1977
Although best remembered for massive hits ‘Magic’ and ‘January’, there was always far more to Pilot’s career in the 1970s. The Scottish pop-rockers released four albums between 1974 and 1977 containing well crafted pop and rock elements which, at their best, should’ve placed the band high on a pantheon of pop alongside 10cc and Andrew Gold. Instead, they’re sometimes remembered – somewhat unfairly – as part of the decade’s pop pin-up fare. Just take one listen to the giant fanfare that heralds the arrival of #1 hit ‘January’, with its multi-tracked guitars and enduringly jubilant vocal performance, or David Paton’s complex bass runs that cut through the heart of ‘Magic’, and it’s obvious this was no generic pop band.
The obviously titled ‘The Albums’ brings together all four of the band’s four major releases for the first time, including the first ever UK CD release for their ‘Two’s A Crowd’ LP from 1977. As those who’ve treasured their vinyl copies of the first two albums will suspect, this is a collection that features a fair amount of great material, but shows how Pilot weren’t always the most consistent among the decade’s pop-rockers.
MARILLION: Chippenham Goldiggers – 12th March 1984
A lot of great Marillion shows have been made available on video, DVD and blu ray over the years. Dozens of shows from the 90s onward have been issued via the band’s official website, but fans of Marillion’s formative years have had to make do with just two shows – neither of which show the band at their best.
‘Recital of The Script’, filmed at Hammersmith Odeon in 1983, remains the definitive document of early Marillion despite being hampered by some painfully slow drumming. At the other end of the “Fish Years”, the 1987 festival set ‘Live at Loreley’ shows Marillion seeming rather tired and in need of a little re-invention.
VARIOUS ARTISTS – Peephole In My Brain: The British Progressive Pop Sounds of 1971
The box sets released by Grapefruit Records covering the second half of the 60s managed to bring together a lot of interesting material under the loose umbrella of psychedelia. The four box sets – featuring music from 1966-69 respectively – also took in bits of pop, freakbeat and folk, but with so many phased guitars, recurring themes of teatime and other whimsy dictated by a general soft drugs haze, they often felt like coherent packages. Once the yearly exploriations move the into the 70s, there isn’t quite such a focus; with the first wave of psychedelia in its death throes, as well the rise of hard rock and singer-songwriters, the early 70s paint from much broader musical palate.
A stylistic indecision hasn’t stopped Grapefruit from digging deep and turning up loads of interesting things to fill ‘Peephole In My Brain: The British Progressive Pop sounds of 1971’, of course, and its three discs are brimming with obscurities, flop singles, half remembered gems and deep album cuts. With the vaults of Harvest, Vertigo, Ember and various other labels truly raided, it’s a set that’s quite quirky in its own way – and a reminder that there was far more going on at the time than the Black Sabbath, Deep Purple, Yes and Tull-loving rock historians would have you believe.
Watch: Stoner band Moths share new video for Sabbath cover
Before the end of August, Puerto Rican stoner metal band Moths will release new material on a split release with The Stone Eye.