Following a string of relatively commercial albums throughout the 90s, The Fall’s music took on a massive shift in the early 2000s. Aided by an entirely new band, Mark E. Smith went back to rough and ready garage rock basics for 2001’s relatively lo-fi ‘Are You Are Missing Winner’.
Most Fall fans would have put good money on the fourth release of Cherry Red Records’ “Fall Sound Archive” series filling one of the gaps between #2 and #3 with an expanded release of 1980’s ‘Grotesque (After The Gramme)’ or following the excellent ‘Hex’ related box set with a vastly expanded edition of the excellent ‘Perverted By Language’. Few would have predicted things would take such a huge left turn by jumping ahead to an album that kick-started the final phase of the band’s long career. Almost as unpredictable as Mark E. Smith himself, the Fall Sound Archive Vol. 4 takes a massive leap and gives fans a broad look inside the many cogs and workings of 2007’s ‘Reformation Post-TLC’.
Although Fall fans probably expected reissues of ‘Totale’s Turns (It’s Now Or Never)’, ‘Grotesque (After The Gramme)’ and ‘Slates’ to appear before the end of 2019, this October will actually see something a little further ahead making up volume three of Cherry Red’s extensive Fall Sound Archives reissue series.
Following Fall founder Mark E. Smith’s death in 2018, Cherry Red Records expanded and reissued the ‘50,000 Fall Fans…’ compilation, adding nineteen bonus tracks to bring it up to date, making it the most comprehensive Fall compilation ever. It was an ideal starting point for new listeners. News that there would be other Fall reissues in the future was met with keenness. The first of that reissue campaign – now dubbed “The Fall Sound” – goes right back to the beginning with expanded editions of 1978’s ‘Live At The Witch Trials’ and 1979’s ‘Dragnet’.