Ransom And The Subset’s debut album ‘No Time To Lose’ celebrated a wide spectrum of pop/rock influences, and with the help of power pop heroes Ducky Carlisle and Brian E. King, vocalist/multi-instrumentalist RanDair Porter created the kind of debut that felt timeless in its own way. The release didn’t really connect with a massive audience, but was well received by those who actually heard it, setting strong foundations in place for a timely follow up.
Watch the new video from Vertex
French band Vertex have often been reliable when it comes to a heavy riff, but their current single ‘Leviathan’ really raises the bar in terms of a brilliantly intense sound.
DIMWIND – The Futility Of Breathing
In 2022, Swedish post metal act Dimwind released what could only be described as a very ambitious recording. The fifteen minute ‘Window Passed’ was presented as half of a split release with black metallers Breaths, and basically acted like an effective CV. During its quarter of an hour, the track moved through heavy riffs in a post rock vein, teased with drone, and even exploded into passages of instrumental black metal. It should have been really challenging, but something within Dimwind’s soundtrack like state ensured that even their heaviest outbursts seemed very natural.
TRAPEZE – Midnight Flyers: Complete Recordings Volume 2 – 1975-81
In the minds of many, Trapeze will be best remembered as the band that gave the now legendary Glenn Hughes his first major steps in the music world. On three albums recorded between 1969 and 1972, Hughes showed a strong vocal talent. Whether tackling strange psychedelic jams (as per the Trapeze debut), or losing himself within deep, soulful blues, it seemed there was nothing the young musician couldn’t take in his stride. It wasn’t until the release of 1972’s ‘You Are The Music…We’re Just The Band’, however, that Hughes and Trapeze really hit upon a perfect sound, with a blend of hard rock, blues and soul that would rival the likes of Free in terms of talent. As great as the album was – and remains – it failed to chart, but Trapeze hadn’t gone entirely unnoticed. Whilst playing live shows for the album, Hughes was headhunted by Ritchie Blackmore for a new line up of Deep Purple, and fter the release of their ‘Burn’ LP in 1974 – a massive hit on both sides of the Atlantic – Glenn’s career was catapulted into the stratosphere.
SKINHER – Heartstruck
As the name suggests, Skinher is a project helmed by bassist Kyle Skinher, also of prog metal band Hail Spirit Noir. In the main, this band couldn’t be further removed from his “day job”, since it abandons most proggy aspects and the heavier end of the metal spectrum in favour of some massive haired, retro hard rock thrills. Kyle claims the influences come from the likes of Yngwie Malmsteen and everyone’s favourite Ghost, but the truth is that the best parts of ‘Heartstruck’ are even more retro – and sometimes more melodic than both. This is a record that really taps into the melodic rock and metal sounds of yesteryear, to the point where you’d expect to find it propping up the release schedule on a label like Frontiers Records.