Ransom And The Subset’s debut album ‘No Time To Lose’ celebrated a wide spectrum of pop/rock influences, and with the help of power pop heroes Ducky Carlisle and Brian E. King, vocalist/multi-instrumentalist RanDair Porter created the kind of debut that felt timeless in its own way. The release didn’t really connect with a massive audience, but was well received by those who actually heard it, setting strong foundations in place for a timely follow up.

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Parks & Recreation: Real Gone meets Brian E. King

In 2010, an unexpected power pop gem appeared in the release schedules by an unknown band named Oranjuly.  The release played almost like a history of power pop, pulling influence from Brian Wilson, Paul McCartney, Jellyfish and Weezer on a strong set of songs.  A year or so passed and we hadn’t heard much from the Oranjuly camp at all…until multi-instrumentalist/vocalist/songwriter Brian E. King re-appeared in a band named Parks.  In the autumn of 2014, Real Gone caught up with Brian to find out what happened to the Oranjuly project and why they seemed destined to a be a one album deal.


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ransomHailing from Seattle, Ransom and the Subset borrow from a variety of bands to create their musical canvas.  Rather than sounding overtly plagiaristic, their debut release ‘No Time To Lose’ merely celebrates many different pop and rock styles, creating an eleven track musical journey that’s sure to connect with lovers of post nineties power pop at some place along the way.  The fact that it borrows so heavily from classic influences is no surprise when taking into consideration that singer songwriter RanDair Porter has called upon Ducky Carlisle (The Major Labels) and Brian E. King (Oranjuly/Parks) to bring these songs to life.  Neither producer/multi-instrumentalist is exactly shy of tapping into the past for key inspirations and  King’s Oranjuly project, especially, proved a fantastic exercise in celebrating pop’s golden years, resulting perhaps even one of the finest one-album bands ever.   All the studio help/arranging in the world would be of no use, of course, if the band weren’t up to scratch…

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