For a band once considered to be the epitome of counter culture and not in it for “the bread, man”, it sometimes seems as if the twenty first century Hawkwind are just a machine churning out new products. December 2021 brought the career spanning, anthology ‘Dust of Time’ – their fourth release in under two years. Although it was beautifully put together, it didn’t give hardcore fans much they wouldn’t already own. However, it successfully covered a lot of musical ground, and for the keen eared and eagle eyed, a couple of rarer BBC recordings could be found within its sprawling eighty one tracks. It’s hard to please everyone, but the six disc box set had a really good go.
ISLAND OF LOVE – Songs Of Love EP
The first signings to the London imprint of the legendary Third Man label, Island of Love serve up some unashamedly retro sounds on their ‘Songs of Love’ EP. Within its four numbers, the fuzz rock duo wield distortion pedals with abandon, carve out feedback drenched solos and revisit the musical landscapes of Dinosaur Jr and Superchunk with the greatest admiration since the short-lived Yuck wowed Guardian readers back in 2011. The heart of their sound draws from some obvious key influences, but that certainly doesn’t mean they lack a musical imagination of their own. There are a few instances where the 90s fuzz collides with a stray surf twang, or even some Tommy James derived power pop from the 60s, creating something a little more varied than first impressions suggest. Any flourishes and twists are, naturally, hidden under a massive layer of noise, but it’s all there waiting for the more discerning ear to discover.
KEELEY – Echo Everywhere EP
Keeley’s debut EP ‘Brave Warrior’ proved that it was possible for a band to have a retro sound without sounding like a complete throwback to the past. Its four songs had a 90s electronica/dreampop heart, but there was enough about its feel and song writing that felt very contemporary. In terms of alternative pop, it was broad in its appeal, and the praise gained from high profile industry faces like Stuart Maconie and Steve Lamacq was more than deserved.
FM – Thirteen
This thirteenth studio release from FM, one of the UK’s best loved AOR bands, presents eleven tracks where Steve Overland and the lads barely deviate from their usual blueprint, barely break a sweat during their performances, or really offer their fans any material that would challenge them in any way. Such a massively predictable approach might seem half arsed coming from a lesser act, but with FM, such familiar territory is bound to bring a treat or six, especially since Overland still possesses one of the greatest voices in rock. At the point in his career where most of his peers are turning in deeper performances or even assaulting their fans with voices that should have long retired, Steve still sounds like a master performer; a gifted talent able to anything within a broad range; a man more than capable of delivering anything any of his various bands requires. Along with Jeff Scott Soto, he appears to be among a dying breed. In the rest of FM, there remains a truly solid band that conveys a classic sound. By 2022, their work is certainly formulaic, but few would deny that it often results in a winning combination of power and melody.
CHIP Z’NUFF – Perfectly Imperfect
Following the release of ‘Diamond Boy’ in 2018, Enuff Z’Nuff began going through the motions, churning out music that often felt very much like a Chip Z’Nuff project, with the band augmented by some musicians that have little to no real claim on the EZ’N legacy. With that in mind, it isn’t immediately clear why 2022’s ‘Perfectly Imperfect’ should be a marketed Chip Z’Nuff solo album and not just another product from the seemingly never ending EZ’N production line. Chip obviously has other ideas, though, and clearly views the material on the album as being somehow different from his day job.