2023 seems to have flown by. We’ve already made it to December, and that can mean only one thing. It’s time for The Real Gone Advent Calendar!
As is traditional, over the next twenty four days, we’ll be posting a new link. It might be a video. It might be audio only. It might be an old favourite. It might be something brand new and unfamiliar. The only way to find out is by coming back each day and opening a new window!
Welcome back to the Real Gone Singles Bar, the place where we explore the various mp3s and individual tracks that have landed in our inbox over the previous couple of weeks. This time around, singer songwriter’s dominate, making up five of our eight picks – but with that, obviously, comes the variety that, hopefully. makes the SB interesting. It’s time to say hello to Leon Frear – a performer with a brillianty retro style and also introduce Mighty One, a new indie pop band. We’re also welcoming back the brilliant Swimming Bell, and sharing a couple of rockier tunes along the way…
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On this debut EP, The Holy Nothing wield some genuinely enormous riffs. Creating a sound that takes a huge influence from stoner metal and mixes that with a few grungy influences and a pinch of hardcore, their sound shifts between crunchy, sludgy and the groove laden, ensuring this musical trio are often more interesting than your average Orange Goblin, Fu Manchu and Kyuss wannabes.
Rowsie’s 2022 EP ‘Searching’ presented four tracks of solid sounding roots rock with noisier overtones. Somewhere between the solo works of Dan Baird, Boston bar room rockers Watts, the angrier end of the John Hiatt catalogue, a full blown Crazy Horse and Grant Lee Buffalo, the release’s four songs sold an enthusiastic DIY sound with relative ease.
This full length felt like a long time coming, but it does not disappoint. Working to Rowsie’s previous formula, its ten songs mix different elements of raw rock and Americana in a way that’s wholly natural, and the songwriting occasionally throws a sly humour into the mix, resulting in a collection of tracks that could’ve have been spawned at any point after the late 70s.
The Uppers’ debut EP ‘Get Down With…’ introduced garage rock fans to a high energy band whose stock sounds often sounded like a souped up version of The Real Kids. Armed with a 60s twang and a CBGB’s punk energy, the St. Louis four piece immediately sounded ready to take on the world.