Bang Bang Firecracker find themselves thinking much bigger in terms of both sound and concept for their follow up to their 2019 release ‘Welcome To The Slaughterhouse’. Although that album did a fine job in introducing the Stoke On Trent hard rockers as strong players, it featured the kind of drum sound and occasionally trebly edge that gave away its DIY origins (also, the least said about its horribly dated, David Coverdale channelling artwork, the better). Their next batch of material takes the form of not one but three separate EP releases which, combined, are designed to form a strong full length release. At a time where a lot of independent rock is issued digitally and so many younger listeners are seemingly incapable of committing to a full forty minutes, the EP format seems like a smart move. More importantly, the short and sharp approach also serves to make BBF’s riffs seem even more forceful. Also, a staggered release, in theory, also helps to keep the band in people’s minds a little bit longer.
Category Archives: Album & EP Reviews
TOBY HITCHCOCK – Changes
A much-loved figure on the AOR/melodic rock scene, Toby Hitchcock has previously applied his talents to some very theatrical releases by Pride of Lions, where he is a huge vocal foil to Jim Peterik’s overwhelming desire to be rock’s answer to a hybrid of Andrew Lloyd Webber and Greg Wells. The relentless bombast of those albums can be an acquired taste, but the critical responses to their work has often been positive. Toby’s first solo album (2011’s ‘Mercury’s Down’) carried a similarly huge love it or hate it sound but, thankfully, by the time of 2019’s ‘Reckoning’, his on/off solo career had found itself in a more melodic place. By pulling back some of the vocal histrionics and focusing on more of an AOR-centric sound, Hitchcock had finally released an album that could appeal to a broader cross section of a rock loving audience.
TRUMBITEN – Emotions EP
When Trumbiten made their first appearances on streaming services during the global pandemic of 2020, their first recordings almost seemed to set up the musical project as a bit of fun; something of a necessary distraction for the musicians involved. A cover of Ghost (BC)’s ‘Rats’ and a heavy reworking of Lenny Kravitz’s ‘Are You Gonna Go My Way’ both suggested the Swedish father/son duo had some strong musical chops, but as with a lot of covers – especially when played fairly straight, heavied up or otherwise – they didn’t really suggest a band thinking in the long term.
Listen: Real Gone’s New Release Round-Up – April-June 2021
It seems unbelievable that we’re now half way through the year, but here we are. We discovered and shared a truckload of new music during the first quarter, half expecting things to fizzle out as we moved towards the northern hemisphere summer, but it really wasn’t the case. If anything, the year’s second quarter was every bit as strong.
COLIN MOULDING – The Hardest Battle EP
After XTC’s career came to a slow and somewhat unceremonious end, with Andy Partridge recording ‘Spiral’ and Colin Moulding recording ‘Say It’ for, in Moulding’s own words, “the XTC album that never was”, Colin retreated even further from the limelight. Fans wouldn’t hear any more from him for almost a decade. In 2015, he appeared as a guest performer on Billy Sherwood’s ‘Citizen’ album before he withdrew again, seemingly having no interest in fame or re-igniting his career on a full time basis.
The previously unthinkable happened three years later, when ex-XTC drummer Terry Chambers returned from Australia and recorded new material with Moulding, instigating new musical project TC&I. Their sole studio recording was a little scrappy, but somewhere within its DIY style, Colin’s gift for melodies remained obvious. The TC&I project really came into its own the following year when the duo took to the stage for three nights of shows in Swindon, resulting in an excellent live document placing the new material in context with some old XTC classics. A few weeks after those shows, Moulding announced his retirement, effectively putting fans back in the mindset of 2006: was that it? Would we never hear from him again?