TRAPEZE – Midnight Flyers: Complete Recordings Volume 2 – 1975-81

In the minds of many, Trapeze will be best remembered as the band that gave the now legendary Glenn Hughes his first major steps in the music world. On three albums recorded between 1969 and 1972, Hughes showed a strong vocal talent. Whether tackling strange psychedelic jams (as per the Trapeze debut), or losing himself within deep, soulful blues, it seemed there was nothing the young musician couldn’t take in his stride. It wasn’t until the release of 1972’s ‘You Are The Music…We’re Just The Band’, however, that Hughes and Trapeze really hit upon a perfect sound, with a blend of hard rock, blues and soul that would rival the likes of Free in terms of talent. As great as the album was – and remains – it failed to chart, but Trapeze hadn’t gone entirely unnoticed. Whilst playing live shows for the album, Hughes was headhunted by Ritchie Blackmore for a new line up of Deep Purple, and fter the release of their ‘Burn’ LP in 1974 – a massive hit on both sides of the Atlantic – Glenn’s career was catapulted into the stratosphere.

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SKINHER – Heartstruck

As the name suggests, Skinher is a project helmed by bassist Kyle Skinher, also of prog metal band Hail Spirit Noir. In the main, this band couldn’t be further removed from his “day job”, since it abandons most proggy aspects and the heavier end of the metal spectrum in favour of some massive haired, retro hard rock thrills. Kyle claims the influences come from the likes of Yngwie Malmsteen and everyone’s favourite Ghost, but the truth is that the best parts of ‘Heartstruck’ are even more retro – and sometimes more melodic than both. This is a record that really taps into the melodic rock and metal sounds of yesteryear, to the point where you’d expect to find it propping up the release schedule on a label like Frontiers Records.

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DAS KAPITANS – Lungs EP

The thirteenth release from Das Kapitans (2022’s ‘Debut’) marked a turning point for the band. Not only was it the first release where all of the band members played on all tracks, but the album appeared to have a much more confident and bigger sound. Bigger didn’t necessarily mean more commercial, of course, and on numbers like ‘That’ll Do Pig’ and ‘Big Muff’, their combination of post punk anger and Mudhoney-esque energy sounded absolutely furious. It was the kind of album that captured the band’s raw essence perfectly. If that didn’t help to build their fan base via enthusiastic word of mouth via the internet, nothing would. Not that Das Kapitans are in it for the fame and fortune; as founders of the Socks On record label, their commitment to the ideals of a musical collective and keeping things DIY is solid, and the music comes above everything else.

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