Towards the end of 2023, Leicester’s Our Souls released ‘I Won’t Tell You The Same Lie’, a five track blast of indie punk that valued high octane sounds, and also demonstrated some sharp but pleasingly ragged playing. In approximately fifteen minutes, the DIY release showed why the band made perfect label-mates with the hugely prolific Das Kapitans and garage punk heroes Get The Fuck Outta Dodge.
Whether approaching an early Mudhoney aesthetic (‘MTV’), adopting a sound that blends the melodic indie of early Franz Ferdinand with heavier, almost grung breakdowns (‘Always Here’), delving into something much moodier and channelling Pavement (‘Sausage’), or throwing themselves head first into a world of minute long, punky bangers (the bulk of 2021’s ‘Ten’ “long player”), Das Kapitans often guarantee their audience a good time. For those who’ve followed the band since near the beginning, it’s been interesting to watch them grow.
Affiliated with the independent Socks On Records, Rudimentary Paste are label mates with brilliant noise makers Das Kapitans, Get The Fuck Outta Dodge, Al Pacinos Sister, and Soviet Films. That fact alone will give some listeners a reasonable idea of what to expect from the band’s ‘Six Examples of The Wilhelm Scream’ EP before even going in. This isn’t necessarily a bad thing, but even though this band actually features a couple of faces associated with other Socks On acts, the Paste sound isn’t just a carbon copy of their peers.
Get The Fuck Outta Dodge’s third full length album ‘It’s Not Our Fault Your Boyfriend’s Stupid’ marked a step forward for the garage punk duo. Recorded with Arctic Monkeys engineer Alan Smyth and released in 2022, the material presented a warmer, fuller sound, making the Dodge boys sound a little more professional but without taking away too much of their rawness. Their 2024 EP ‘Just Keep Looking Forward’, somewhat ironically, doesn’t really maintain that progress or forward motion, but instead opts for going further back to their roots, with the best of the recordings sounding more like vintage Dodge circa 2020. This isn’t necessarily a bad thing.
This EP from East Anglian noise-makers Soviet Films breaks a period of relative silence from the band. It might only feature a quartet of tunes – on the surface, a small amount of new music for a two year wait – but ‘Four’ presents a more epic sounding band, enjoying a more adventurous approach to arrangement than before, if indeed that were possible. The featured material represents everything fans could want, and music with the ability to unnerve new listeners in the best possible way.