Author Archives: Real Gone

FATSO JETSON / DALI’S LLAMA – Legends Of The Desert Vol. 3

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As its title suggests, ‘Legends of The Desert Vol. 3’ is the third an ongoing series of split/compilation releases bringing together material from various cult stoner rock/desert rock acts. By presenting a couple of the underground’s better known acts, this third instalment automatically runs rings around its two predecessors, and the promise of new material from the mighty Fatso Jetson automatically ensures this disc will become a favourite with genre fans everywhere.

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BITCH QUEENS – Party Hard(ly) EP

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From the Basel underground, Switzerland’s Bitch Queens mix sleazy hard rock and a classic punk attitude in a way that’s impossible to ignore. This four track release is the perfect distillation of their sound, as well as a shameless celebration of glam rock’s trashier excesses. One listen to the title cut is enough for their massive sound to win over the unsuspecting genre fan with its relentless barrage of gang vocals, shout along hook and generally crashy mood. It’s the kind of tune that Gluecifer would’ve driven into people’s ears back in the 90s, yet at the same time, it has a certain freshness that suggests these Queens could give the sleazier end of the rock scene a welcome kick up the arse.

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THE DOLLYROTS – Hey Girl / I Touch Myself

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Over the years, The Dollyrots have carved out a fine sound blending power pop melodies with pop punk-ish riffs. Their albums are home to some really sugary tunes, but thanks to some taut bass work and a constant nod back to the 90s and bands like Other Star People and The Muffs, their guitar driven pop/rock has never felt completely saccharine.

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NECROVESCENT RUINER – Untouchable Faith Decay

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Occupying a space somewhere between an extended single release, an EP and an album, black metal outfit Necrovescent Ruiner absolutely goes for broke on their 2023 recording ‘Untouchable Faith Decay’. A concept piece, it features just one singular twenty seven minute number. In some ways, and on its surface, this presents the ultimate extreme metal assault; in others, it’s a very progressive way of tying together various musical moods – and for those able to tune in and spend time deconstructing the arrangement, it actually plays like four or five separate pieces, despite not including separate tracks.

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