BLUE ÖYSTER CULT – iHeart Radio Theater N.Y.C. 2012

In 2012, Blue Öyster Cult released ‘The Columbia Albums Collection’, a seventeen disc set rounding up their output for the label between 1973 and 1988. It was a set that was worth picking up even for those that owned some of the albums previously, as it also included a couple of discs of rarities. For a limited time, owners could even access four previously unreleased live shows via the BÖC website, which was a definite sweetener for those who’d bought ‘Agents of Fortune’, ‘Spectres’ and ‘Some Enchanted Evening’ a couple of times over already.

To promote the box set, the band held a one-off concert in New York. Finally released as ‘Iheart Radio 2012’ in the summer of 2020, when heard retrospectively, it isn’t a perfect set by any means, though it has enough to recommend it. Capturing the band in front of a select audience of 200 fans, the recording could have had a similarly flat atmosphere to ‘Agents of Fortune – 2016’ (released via Frontiers Records in early 2020), but due to not being tied to such a rigid setlist, founders Donald “Buck Dharma” Roeser and Eric Bloom, along with bassist Kasim Sulton, guitarist Richie Castallano and drummer Jules Radino, sound much less like a band going through the motions (no pun intended).

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DEAD REYNOLDS – Frontier EP

A band who’ve been favourably compared to Don Broco and Deaf Havana, Dead Reynolds’ work typically combines an alternative crunch with pop hooks on tunes that have some really deep textures. Although this release comes only two years into their career, on the four tracks that make up their ‘Frontier’ EP show all the confidence of a band much longer in the tooth while clinging on to a fairly youthful sound.

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The Great 80s Project: 1988

With the decade coming towards its end, 1988 was a genuine mixed bag.  Pet Shop Boys released some of their best ever work; Elton John’s ‘Reg Strikes Back’ album marked somewhat of a comeback for the megastar after five years of intermittently enjoyable material and Jane Wiedlin hit the UK singles chart with ‘Rush Hour’, arguably one of the decade’s greatest pop singles.

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THE DIRTY TRUCKERS – Second Dose

Boston’s Dirty Truckers have never been shy of showing a cheeky side and applying that to some good old-fashioned, trashy riffs. This has rarely been offered in such a direct way as on ‘Little Mine’, the lead single from their 2020 compilation disc ‘Second Dose’. It’s barely two lines in before frontman Tom Baker sings of someone in their “birthday suit” before applying that image to “a twinkle in your eye”. Granted, it’s merely saucy and certainly not on the same level as David Coverdale singing about leg-spreading less than a minute into the Whitesnake debut LP from ’78, but there’s something about this sexual memory that sort of sets the trashy tone for the following thirty minutes. In terms of music, there’s plenty within this tune’s Slim Dunlap meets Keef Richards schtick that’s classic Truckers. If anything, its combination of relentless pace and unfussy backing vocals makes everyone sound more energised than before: the riffs are ballsy; the lead vocals husky…and combined, the bar-room sound really flies. It sounds so much like classic Truckers, even a one line hook can’t hold it back. Sliding into ‘Hotel Highway View’ the disc effectively opens with a massive one-two suckerpunch. A number that highlights John Brookhouse’s sleazy guitar, the band deliver a three minute musical love letter to Johnny Thunders. It’s bread and butter stuff for them, but sounds great. If you love that grubby rock ‘n’ roll style, you’ll definitely find yourself being swept along by the band’s energy.

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REAL GONE SESSIONS: Mick Terry – Big Sur

It took Mick Terry a very long time to record and release his second album ‘Days Go By’.  The record started to take early form just a year after his 2010 debut ‘The Grown Ups’ and a couple of songs – ‘Pop’s A Dirty Word’ and ‘Riverbend’ – appeared online in early versions around that time.

The final record, though, seemed to have a tricky birth.  Real life got in the way.  Having a Transatlantic producer and differing time zones didn’t help.  Eventually making its way into the world about five years later than planned, ‘Days Go By’ was worth waiting for.  Each one of its tracks resembled a classically retro pop nugget; a musical love letter to AM radio artists like Andrew Gold and 10cc.

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