After 1984’s gargantuan greatness with the dominance of Frankie and meteoric rise of Madonna and Prince, 1985 had a lot to measure up to. …And indeed, some have said it’s a rather more forgettable year for pop.
Looking back, it’s easy to see that 1983 was a massive year. It represents the point where a few of its stars were making huge steps to being the decade’s megastars. Five years into his career, Prince had finally succeeded in gaining worldwide success with his ‘1999’ album (a double platter of much filthiness); with their ‘War’ album, U2 made the leap from successful rock band to being an act with much bigger potential and Madonna showed early signs of being more exciting than your average pop performer.
In terms of pop, 1982 was a strong year: Madness took a further step towards songwriting sophistication with their album ‘The Rise & Fall’, Prince made a huge breakthrough with his ‘1999’ double platter of much filthiness and Phil Collins showed us that the previous year’s ‘Face Value’ wasn’t just a one-off solo success when his “tricky second album” spawned a #1 hit single and a few of his best solo tunes.
Back in May 2017, Real Gone launched “The Great 70s Project”, a ten week exploration of a classic decade’s worth of music. By side-stepping a couple of the obvious hits and digging deeper into back-catalogue albums, we were able to present a very broad look at the albums of the era and it became one of the site’s most popular features.
A long time in the planning, we’re pleased to present The Great 80s Project, a similar exploration of the decade that brought us a multitude of synth-pop, shiny tunes, bright colours, Live Aid and a handful of stadium giants.
During Real Gone’s first decade, our website managed to pick up a lot of supporters. From keen music fans, to labels and bands who loved what we did, every year seemed to gain momentum. Among it all, between the famous bands, the DIY artists and labels, there had been an unsung hero.
David Horton, a keen music fan from the US, supported our site from somewhere close to the very beginning. At a time when we wrote articles about albums we felt were overlooked and threw in the odd review for a new release, at a time when we only had support from a handful of regulars, David was there.